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For this exceptional release on Linn Records, Martin Pearlman and the Boston Baroque bring their expertise in period practices to one of the greatest ...Show synopsisFor this exceptional release on Linn Records, Martin Pearlman and the Boston Baroque bring their expertise in period practices to one of the greatest works of the Classical era, Franz Joseph Haydn's oratorio, Die Schöpfung. Fans of historically informed performances won't be surprised by the group's fidelity to original instrumentation, historical techniques, and authentic style, for seeing Pearlman's name on any recording is a guarantee of scholarship and musical quality. Of course, seeing the words "The Creation" on the cover might be a little confusing, because this performance is not sung in English but in German, since Pearlman follows the text by Baron Gottfried van Swieten. Though both languages were used in the composer's time and could be considered suitable, the German is favored here because Haydn composed the music specifically for it. Yet apart from any consideration of which language is preferable, there is no disputing the bright and vibrant sound of the performance or the strength of...Hide synopsis
Haydn: The Creation (Die Schöpfung) – SACD
(2012)
by Amanda Forsythe (soprano), Boston Baroque, Keith Jameson (tenor), Kevin Deas (bass baritone), Boston Baroque (choir, chorus);...
Haydn: The Creation (Die Schöpfung) (Linn Records) – SACD (2012)
by
Amanda Forsythe (soprano), Boston Baroque, Keith Jameson (tenor), Kevin Deas (bass baritone), Boston Baroque (choir, chorus);...
SACD, Linn Records 2012
UPC: 691062040129
For this exceptional release on Linn Records, Martin Pearlman and the Boston Baroque bring their expertise in period practices to one of the greatest works of the Classical era, Franz Joseph Haydn's oratorio, Die Schöpfung. Fans of historically informed performances won't be surprised by the group's fidelity to original instrumentation, historical techniques, and authentic style, for seeing Pearlman's name on any recording is a guarantee of scholarship and musical quality. Of course, seeing the words "The Creation" on the ...Show moreFor this exceptional release on Linn Records, Martin Pearlman and the Boston Baroque bring their expertise in period practices to one of the greatest works of the Classical era, Franz Joseph Haydn's oratorio, Die Schöpfung. Fans of historically informed performances won't be surprised by the group's fidelity to original instrumentation, historical techniques, and authentic style, for seeing Pearlman's name on any recording is a guarantee of scholarship and musical quality. Of course, seeing the words "The Creation" on the cover might be a little confusing, because this performance is not sung in English but in German, since Pearlman follows the text by Baron Gottfried van Swieten. Though both languages were used in the composer's time and could be considered suitable, the German is favored here because Haydn composed the music specifically for it. Yet apart from any consideration of which language is preferable, there is no disputing the bright and vibrant sound of the performance or the strength of...Hide
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