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Longtime fans of Josh Groban should be pleased to know that the vocalist's third studio album, Awake, features more of the polished, well-crafted, ...Show synopsisLongtime fans of Josh Groban should be pleased to know that the vocalist's third studio album, Awake, features more of the polished, well-crafted, and emotionally grand classical crossover pop he has become known for. In fact, the album is perhaps his most appealing and deviates little from his previous outings. Here listeners get a mix of original songs -- some co-written by Groban -- that trade between more classical/opera-oriented songs sung in Italian and more pop-oriented songs in English. Interestingly, the tracks co-penned by Groban are some of the most compelling, and showcase his knack for a kind of '60s Scott Walker baroque pop meets '80s Diane Warren adult contemporary vibe. This brings up the only problem with Awake, which is that as Groban's music has moved closer and closer to pop, the necessity of utilizing Italian becomes increasingly nebulous. Truthfully, barring any awkward translations, most of these songs would sound fine sung in English and generally come off as very good Italian pop songs. So, despite being quite listenable, from a mainstream pop point of view the use of Italian is great for lending the album a sheen of pan-European classical regality, but in some ways limits the emotional impact of the songs to only those who understand Italian. None of this really matters, though, to fans of Groban, who justifiably respond to his superb technique, silky tone, and bedroom eyes. It doesn't hurt either that he's brought along some unexpected guests this time around in the African vocal group Ladysmith Black Mambazo, appearing here on two tracks, as well as legendary jazz pianist Herbie Hancock, who shows up on the angular and half-funky "Machine." It's also great to hear Groban dig into an adaptation of "Un Giorno Per Noi," Nino Rota's theme to Franco Zeffirelli's classic 1968 film Romeo and Juliet. The song, as Awake itself, is a grand collision of pop culture and co-opted classical themes from then and now, and perfectly embodies everything that has made Groban so successful. ~ Matt Collar, RoviHide synopsis
Longtime fans of Josh Groban should be pleased to know that the vocalist's third studio album, Awake, features more of the polished, well-crafted, and emotionally grand classical crossover pop he has become known for. In fact, the album is perhaps his most appealing and deviates little from his previous outings. Here listeners get a mix of original songs -- some co-written by Groban -- that trade between more classical/opera-oriented songs sung in Italian and more pop-oriented songs in English. Interestingly, the tracks co ...Show moreLongtime fans of Josh Groban should be pleased to know that the vocalist's third studio album, Awake, features more of the polished, well-crafted, and emotionally grand classical crossover pop he has become known for. In fact, the album is perhaps his most appealing and deviates little from his previous outings. Here listeners get a mix of original songs -- some co-written by Groban -- that trade between more classical/opera-oriented songs sung in Italian and more pop-oriented songs in English. Interestingly, the tracks co-penned by Groban are some of the most compelling, and showcase his knack for a kind of '60s Scott Walker baroque pop meets '80s Diane Warren adult contemporary vibe. This brings up the only problem with Awake, which is that as Groban's music has moved closer and closer to pop, the necessity of utilizing Italian becomes increasingly nebulous. Truthfully, barring any awkward translations, most of these songs would sound fine sung in English and generally come off as very good Italian pop songs. So, despite being quite listenable, from a mainstream pop point of view the use of Italian is great for lending the album a sheen of pan-European classical regality, but in some ways limits the emotional impact of the songs to only those who understand Italian. None of this really matters, though, to fans of Groban, who justifiably respond to his superb technique, silky tone, and bedroom eyes. It doesn't hurt either that he's brought along some unexpected guests this time around in the African vocal group Ladysmith Black Mambazo, appearing here on two tracks, as well as legendary jazz pianist Herbie Hancock, who shows up on the angular and half-funky "Machine." It's also great to hear Groban dig into an adaptation of "Un Giorno Per Noi," Nino Rota's theme to Franco Zeffirelli's classic 1968 film Romeo and Juliet. The song, as Awake itself, is a grand collision of pop culture and co-opted classical themes from then and now, and perfectly embodies everything that has made Groban so successful. ~ Matt Collar, RoviHide
Description:New. Buy with confidence-Satisfaction Guaranteed! Delivery...New. Buy with confidence-Satisfaction Guaranteed! Delivery Confirmation included for all orders in the US.
Description:BRAND NEW. The Josh Groban phenomenon continues with Awake, his...BRAND NEW. The Josh Groban phenomenon continues with Awake, his third studio album. Both of the extraordinary singers first two studio discs have been certified five times platinum, with his most recent, 2003s Closer, charting #1 pop. For Grobanites, his uplifting music rises ever higher on Awake.
Description:New in new packaging. USA Orders only! Brand New product!...New in new packaging. USA Orders only! Brand New product! please allow delivery times of 3-7 business days within the USA; Attention UK customers, please use our UK account ImportCDsUK, thank you.
Description:New. 093624443520 CD Condition: NEW Publisher: WEA Great...New. 093624443520 CD Condition: NEW Publisher: WEA Great Customer Service! Ships from Argentina.
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