Fearless by Taylor Swift One of the best mainstream pop releases of 2008, Taylor Swift's second album is styled after crossover country-pop stars Shania Twain and Faith Hill. There may be a hint of youthfulness to the 18-year-old Swift's singing but her writing—and she had a hand in penning all 13 tracks, with six of them bearing her solitary credit—is sharply, subtly crafted and the music is softly assured. Swift's gentle touch is as enduring as her songcraft, and this musical maturity results in a small-scale and sweetly tuneful production— always seeming humble even when the power ballads build to a big close.
The last Beatles album to be recorded (although Let It Be was the last to be released), Abbey Road was a fitting swan song for the group, echoing some of the faux-conceptual forms of Sgt. Pepper, but...
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With Revolver, the Beatles made the Great Leap Forward, reaching a previously unheard-of level of sophistication and fearless experimentation. Sgt. Pepper, in many ways, refines that breakthrough, as...
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The U.S. version of the soundtrack for the Beatles' ill-fated British television special embellished the six songs that were found on the British Magical Mystery Tour double EP with five other cuts...
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Each song on the sprawling double album The Beatles is an entity to itself, as the band touches on anything and everything it can. This makes for a frustratingly scattershot record or a singularly...
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While the Beatles still largely stuck to love songs on Rubber Soul, the lyrics represented a quantum leap in terms of thoughtfulness, maturity, and complex ambiguities. Musically, too, it was a...
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It would not have been surprising if Collective Soul had become a one-hit wonder. Straddling a line between '80s arena rock and jangling, '90s alternative pop, their debut was a pleasant affair that...
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It was inevitable that the constant grind of touring, writing, promoting, and recording would grate on the Beatles, but the weariness of Beatles for Sale comes as something of a shock. Only five...
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Once "Please Please Me" rocketed to number one, the Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely...
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Released in conjunction with Billy Joel's grand experiment with classical music, The Essential Billy Joel was a welcome reminder of Billy Joel's way with a pop song, improving on the previous...
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Hair was both celebratory and anticlimactic at the same time. Heralded by many at the time as being a rejuvenation for musical theater, it was also supposed to "speak" for the youth. The problem with...
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If Definitely Maybe was an unintentional concept album about wanting to be a rock & roll star, (What's the Story) Morning Glory? is what happens after the dreams come true. Oasis turns in a...
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The musical touchstone for the British trio Muse is obviously Radiohead and that fact is crystal clear from the smoldering opening cut, "Sunburn." Their John Leckie-produced debut, Showbiz, is strong...
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Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest...
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In the heady days of the post-grunge mid-'90s, it was hard to see who were real and who were pretenders -- and that didn't even take into account whose music would stand the test of time and whose...
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Hello Nasty, the Beastie Boys' fifth album, is a head-spinning listen loaded with analog synthesizers, old drum machines, call-and-response vocals, freestyle rhyming, futuristic sound effects, and...
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With 1973's Sabbath Bloody Sabbath, heavy metal godfathers Black Sabbath made a concerted effort to prove their remaining critics wrong by raising their creative stakes and dispensing unprecedented...
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Instead of simply adding club beats or sonic collage techniques, Radiohead strive to incorporate the unsettling "intelligent techno" sound of Autechre and Aphex Twin, characterized by its skittering...
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Faced with a deliberately difficult deviation into "experimentation," Radiohead and their record label promoted Kid A as just that -- a brave experiment, and that the next album, which was just...
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Arriving in an era dominated by synth pop and gloomy post-punk, the Smiths' eponymous debut was the bracing beginning of a new era. On the surface, the Smiths' sound wasn't radically different from...
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Bullet in a Bible is a CD/DVD package (also available as a UMD, for those who want to carry it around on a Sony PSP) documenting Green Day's show at the National Bowl in Milton Keynes on their 2005 U...
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A serious contender for the title of best Wu-Tang solo album (rivaled only by the Genius' Liquid Swords), Only Built 4 Cuban Linx is also perhaps the most influential, thanks to Raekwon's cinematic...
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A Hard Day's Night not only was the de facto soundtrack for their movie, not only was it filled with nothing but Lennon-McCartney originals, but it found the Beatles truly coming into their own as a...
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In a sense, 2009's Everybody Dance! is the coming-out party for longtime gospel producer James Roberson. Often seen behind the boards for the likes of inspirational luminaries from Beverly Crawford...
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All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either --...
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Produced by Brian Eno, Q: Are We Not Men? A: We Are Devo! was a seminal touchstone in the development of American new wave. It was one of the first pop albums to use synthesizers as an important...
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