Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend Mal Reese (John Vernon) and left to die while Reese ...Read MoreBased on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend Mal Reese (John Vernon) and left to die while Reese takes off with Walker's wife Lynne (Sharon Acker) and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Wanting little but his cash, Walker implacably penetrates Mal's lair and the hierarchy of the shady "Organization," registering no emotion about the string of murders left in his wake, as his thoughts repeatedly return to the past that brought him there. In his first American feature, Boorman transforms a stripped-down revenge plot into a surreal meditation on the gangster's spiritual demise, using flashbacks and startling shifts in setting to interweave Walker's fractured memories with his extraordinarily photographed odyssey through L.A. Marvin's chillingly stoic presence further hints at the ambiguities in Chris's observation that Walker "died at Alcatraz, all right." Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback. Lucia Bozzola, RoviRead Less
Keenan Wynn, Carroll O'Connor, Angie Dickinson, Lee Marvin. Good. 2005 Run time: 92. Connecting viewers with great movies since 1972. All used discs are inspected and guaranteed. Used discs may not include digital content. Customer service is our top priority!
Keenan Wynn, Carroll O'Connor, Angie Dickinson, Lee Marvin. 2005 Run time: 92. We sell NEW Factory Sealed product, your satisfaction is guaranteed. Fast Shipping! 100% Customer Satisfaction, over 30 years of Happy Customers. Fast, safe secure shipping in bubble wrap mailers so your order arrives in perfect condition.
Fair. 012569674141 This item is pre-owned-acceptable condition-may include notes, markings, underlining, highlighting, bent corners, scuffed edges, creased pages, shelf wear, and DVD may show minor scratches/fingerprints that do not affect playback. Please allow 4-14 business days for Standard shipping, within the US. Thank you for supporting our small, family-owned business!