Very Good in Very Good jacket. 207 pages, Folio. Includes slipcase. Shelfwear to DJ: light rubbing along edges, heavy spine tanning. Tightly bound, no marks. Volume is in Very Good condition. Shelfwear to slipcase: light scuffing along edges and covers, tanned edges, tearing along top edges. Slipcase is in Good condition.
Very Good in Good jacket. Used Hardcover. Third edition. Dust jacket has one or two minor scores. Slight wear on upper edges of jacket. Small dent on front lower edge of jacket. Nick on rear upper edge of jacket. Very small mark on rear of jacket. Slight bump on lower edge of front board. Slight wear on hardcover spine ends. Publisher's label on reverse of last page of index. Contents are clean and clear throughout. Binding is sound. AF.
Publishers Weekly, 1993-03-29 The Venetian art of glass-blowing, the longest-standing tradition of its kind in Europe, is spotlighted in this lovely, eye-catching volume, itself a work of art. In her absorbing text accompanying some 200 color plates, Mentasti, a Venice-born historian of glass, follows a succession of styles from Art Nouveau through the Viennese Secession, Art Deco, the 1930s Novecento style with its transparent, simple forms, to the burst of creativity in the '60s and '70s and the contemporary return to color and representation. Gianni Toso's satiric figurines, Alessandro Pianon's blown-glass chicks with iron feet, Luciano Vistosi's human skull sculpted out of green crystal and Napoleone Martinuzzi's spirited pony in coral glass stand out among pieces that achieve dazzling effects through polychrome, enameling, latticework, iridescence and other techniques. (May)
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