Charles McCarry is considered by many to be a master of spy fiction In his magnificent new novel - his first for almost a decade - McCarry returns to the world of Paul Christopher, the crack intelligence agent who is as skilled at choosing a fine wine as he is at tradecraft, at once elegant and dangerous, sophisticated and rough-and-ready. As the ...
Charles McCarry is considered by many to be a master of spy fiction In his magnificent new novel - his first for almost a decade - McCarry returns to the world of Paul Christopher, the crack intelligence agent who is as skilled at choosing a fine wine as he is at tradecraft, at once elegant and dangerous, sophisticated and rough-and-ready. As the novel opens, Christopher, ageing but fit, is dining with his cousin Horace, also an ex-agent. The delicious dinner is uneventful. A day later Christopher has vanished. The months pass; peculiarly, his ashes are delivered by a Chinese official to the American consulate in Beijing. A memorial service is held in Washington. But Horace is not convinced that Christopher is dead and, enlisting the support of four other retired colleagues, he gets the Old Boys back in the game. Beginning with a photo of a woman's hand holding a centuries- old scroll, once in the possession of the Nazis and now sought by the American government as well as Muslim extremists, Horace Christopher and the Old Boys travel the globe.Harrassed by American intelligence, hunted by terroists, their search takes them from Xinjiang to Brazil, from Rome to Tel Aviv, Budapest to Moscow. Their mission: to find Paul Christopher and the unspeakably dangerous truth.
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Publishers Weekly, 2004-05-03 McCarry is another ace spy novelist from the past to whom Overlook's Peter Mayer is giving a new lease on life (as with Robert Littell's The Company two years ago). Both of them are real pros, with McCarry having a more lapidary style and a rather more aristocratic turn of mind. His "old boys," former CIA men who come out of retirement to help one of their former colleagues, Horace Hubbard, find his lost cousin, Paul Christopher, are a classy group, each with a well-defined area of expertise. Christopher, an elderly agent himself (he starred in some of McCarry's earlier books, most notably in The Tears of Autumn), has disappeared, and apparently died, in a remote area of China. His ashes are sent back to the U.S. by the Chinese, and a memorial service is held. But Horace cannot believe he is dead, and nor can Paul's daughter, Zarah. As they set out on Christopher's trail, they find it leads to his remarkable mother, Lori, who was probably involved in the assassination of Nazi kingpin Heydrich in WWII and kept as a legacy of that monster a priceless scroll in his possession depicting the death of Christ from a Roman agent's viewpoint. The plot is almost indescribable, involving a Muslim terrorist who wants the scroll and who plans to blow up much of the West with a cache of miniature Soviet nuclear bombs; a Chinese forced-labor camp; and sundry ex-Nazis, ex-KGB men and double-crossers galore. It's a great tribute to McCarry's skill that he manages to keep all his colored balls in the air and carry the reader willingly with him. But the kitchen-sink approach to the plot increasingly strains credibility as the story zips along, and the tension between his all-too-believable "old boys" and the comic-book action is never satisfactorily resolved. Agent, Owen Laster at William Morris. (June) Forecast: Overlook is getting behind this novel in a big way, with a 75,000 first printing, a $50,000 Father's Day campaign and rights already sold in six countries. While there's a challenge in bringing McCarry back to his older fans and, perhaps more importantly, introducing him to new ones, the house's experience with Robert Littell has proven that can be done. (c) Copyright PWxyz, LLC. All rights reserved
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