'Civilization slipped into its second dark age on an unsurprising track of blood but with a speed that could not have been foreseen by even the most pessimistic futurist. By Halloween, every major city from New York to Moscow stank to the empty heavens and the world as it had been was a memory.' The event became known as The Pulse. The virus was ...
'Civilization slipped into its second dark age on an unsurprising track of blood but with a speed that could not have been foreseen by even the most pessimistic futurist. By Halloween, every major city from New York to Moscow stank to the empty heavens and the world as it had been was a memory.' The event became known as The Pulse. The virus was carried by every cell phone operating within the entire world. Within ten hours, most people would be dead or insane. A young artist Clayton Riddell realises what is happening. And together with Tom McCourt and a teenage girl called Alice, he flees the devastation of explosive, burning Boston, desperate to reach his son before his son switches on his little red mobile phone...
This book a good from the beginning to end. There are no slow parts as in some others. There are a inviting and realistic characters. This book is worth the time is takes to enjoy it.
Oct 1, 2009
Another King winner!
This novel is a spell binding S King story. I couldn't put it down. Lots of food for thought on what if this happens. Loved it.
Nov 13, 2008
I knew there was a reason I don't like cell phones. And, this just confirms it. I really liked this book. A great read. One of King's best!
Sep 3, 2008
Can You Hear Me Now? ? Never Sounded so Scary!!
Great story ? funny in bits, cared about the characters. I loved the descriptions of Boston, New Hampshire, of course, Maine. Not ?throw the book down? scary, but there was enough blood and gore to keep it very interesting.
This was a departure for me, as I usually stick to ?chick lit?, but I?ve always enjoyed the occasional King thriller and this one didn?t let me down ? I loved the focus on what today is thought of as a ?regular? part of our lives, but in fact, this book makes you look at cellular technology as being mysterious and it seemed plausible that there could be something scary going on and King found a way to bring the message home.
Jul 24, 2008
was scared to use my cell
I really enjoyed this shorter novel by king, I loved the beginning, the storyline was good, slower, but good, and I liked the end. It isnt' a traditional zombie story or end of the world story. Its a fast and easy read.
Publishers Weekly, 2006-02-06 It's probably a good idea not to use your cell phone while you listen to Scott's beautifully understated reading of terrormeister King's latest take on technology run amok: you might just toss it down the nearest storm drain. The excellent film actor (who catches the power of his late father George C. Scott's voice but smooths off the rough edges) adds an important element-quiet believability-to King's bloody, occasionally over-the-top story of a short but lethal electronic signal that seriously damages everyone in the world using a cell phone at that moment. The Pulse, as it comes to be known, turns idle chatterers into weirdly rewired killing machines. Scott makes the lead character-a comic book artist from Maine (where else?) named Clayton Riddell, who is in Boston with his phone off and in his pocket-a touching and surprisingly tough survivor, much like the nonpods in Invasion of the Body Snatchers. He also resists the temptation to make the "phoners" (those affected by the Pulse) sound unusually strange or dangerous-until their real motives become obvious. Simultaneous release with the Scribner hardcover (Reviews, Jan. 2). (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 2006-01-02 What if a pulse sent out through cell phones turned every person using one of them into a zombie-like killing machine? That's what happens on page six of King's latest, a glib, technophobic but compelling look at the end of civilization-or at what may turn into a new, extreme, telepathically enforced fascism. Those who are not on a call at the time of the pulse (and who don't reach for their phones to find out what is going on) remain "normies." One such is Clayton Riddell, an illustrator from Kent Pond, Maine, who has just sold some work in Boston when the pulse hits. Clay's single-minded attempt to get back to Maine, where his estranged wife, Sharon, and young son, Johnny-Gee, may or may not have been turned into "phoners" (as those who have had their brains wiped by the pulse come to be called) comprises the rest of the plot. King's imagining of what is more or less post-Armageddon Boston is rich, and the sociological asides made by his characters along the way-Clay travels at first with two other refugees-are jaunty and witty. The novel's three long set pieces are all pretty gory, but not gratuitously so, and the book holds together in signature King style. Fans will be satisfied and will look forward to the next King release, Lisey's Story, slated for October. (Jan. 24) (c) Copyright PWxyz, LLC. All rights reserved
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