Description:Good condtion, some regular cover wear, former library item with...Good condtion, some regular cover wear, former library item with usual markings. Good condition, minor cover wear, has some notations. Eligible for Fast and Free Super Saving Shipping!
Description:Good. 1970 Hardcover port. 802 p. Former Library book. Shows...Good. 1970 Hardcover port. 802 p. Former Library book. Shows some signs of wear, and may have some markings on the inside. Shipped to over one million happy customers. Your purchase benefits world literacy!
Description:818pp. russet cloth 8vo: Good in a near Very Good dj in Brodart...818pp. russet cloth 8vo: Good in a near Very Good dj in Brodart poly cover [book is complete & tight with no wear but, unfortunately, has been underlined & annotated in ink mostly throughout by a thorough reader; would have been Very Good or better without this flaw] Still, a sturdy useful hardbound copy of Pound's (1885-1972) magnum opus: the revised edition of 1969 plus the Italian Cantos LXXII and LXXIII and a 1966 fragment intended as the poet's conclusion.
Description:Good sound condition with a clean text and tight binding without...Good sound condition with a clean text and tight binding without dust jacket. Sixth printing. Various pagination. (about 400pgs)
Description:Good Hardback. No Dustjacket. Book Hard Cover Good. Good...Good Hardback. No Dustjacket. Book Hard Cover Good. Good Hardback. /No Dustjacket. Binding tight. Text very good. No notes, underlining, highlighting. Glue stain from bookplate on front paste-down. Corners bumped.
Ezra Pound's masterpiece still rings with grandeur almost a century after the early episodes were written. A high-modernist poet like his friend T.S. Elliot, Pound has a brighter outlook and a higher opinion of humanity, so his work is less dark and depressing. Pound believed poetry should be complicated and dense, requiring serious intellectual effort to understand. Though the allusions contained are so complex, abstract and disconnected as to render the Cantos practically meaningless to the casual reader, his language and imagery are as magnificent as any in the American Cannon. Highly recommended.
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