Poetic and lush, Rauschenberg's "Combines" focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career. 172 color illustrations.Poetic and lush, Rauschenberg's "Combines" focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career. 172 color illustrations.Read Less
Very Good. Book Paperback copy published on the occasion of the exhibition held by The Museum of Contemporary Art, Los Angeles. Some minor wear to wrappers, otherwise very good. Interior clean and binding sound. [Heavy-Please contact for overseas shipping quote]
First edition. Softcover. 316 pages. Exhibition catalog for a traveling show that ran December 20, 2005 through April 2, 2006 in New York, May 21 through September 11, 2006 in Los Angeles, October 25, 2006 through January 21, 2007 in Paris, and February 17 through May 6, 2007 in Stockholm. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel and Charles Stuckey. Afterword by Pontus Hulten. Includes numerous color and black and white illustrations. A tight very near fine copy in wrappers but with the corner/edge of the last two pages being folded and slightly larger than the rest of the book due to a printing error.
VG. Illustrated wraps. 316,  pp., profusely illustrated in bw and color. Destined to be another Rauschenberg classic. Published to accompany an exhibition first held at the Met in New York, and then it went to Los Angeles, Paris and Stockholm.
FAIR. ACCEPTABLE-This is a very damaged hardcover with a torn dust jacket; a READING COPY ONLY; do not purchase it if you are uncomfortable with significant tearing, scuffing, bumping, marking, taping and creasing. The flaws are significant but do not render the book unsusable. 5.42 lbs.
Very good. The back cover has a large crease and the front cover has some moderate rubbing. Attractive book with clean pages and a solid spine. All items guaranteed, and a portion of each sale supports social programs in Los Angeles. Ships from CA.
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