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This book focuses on the debates which shook French cinema in the immediate aftermath of the student revolution of May 1968. Alison Smith examines ...Show synopsisThis book focuses on the debates which shook French cinema in the immediate aftermath of the student revolution of May 1968. Alison Smith examines these effects across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which filmmakers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade.Hide synopsis
Description:Very good. No dust jacket as issued. Trade paperback (US). Glued...Very good. No dust jacket as issued. Trade paperback (US). Glued binding. 296 p. Contains: Illustrations. Audience: General/trade. Like new copy with minimal shelf wear. See scan of actual book. A nice copy!
Description:FINE. Crisp, clean, unread paperback with light shelfwear to the...FINE. Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge-Nice!
Description:Very good. Showing some signs of wear. Corners/cover slightly...Very good. Showing some signs of wear. Corners/cover slightly bumped/creased.
Description:Used-Like New. Publisher: Manchester University Press Date of...Used-Like New. Publisher: Manchester University Press Date of Publication: 2005 Binding: Hard Cover Condition: New Description: 071906340x.
Description:Fine. Publisher: Manchester University PressDate of Publication...Fine. Publisher: Manchester University PressDate of Publication: 2005Binding: green cloth, gilt. Edition: Condition: NewDescription: 21.4 x 14 x 2.4 cm 071906340X 304 Pages. This book fundamentally re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production. Using examples from a wide variety of films-political thrillers, period features, new naturalism, utopian fantasies-she investigates both the rise of the new genres and the re-formulation of the old. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas as the decade progressed. The final chapter is a detailed study of.
Description:Good. 0719063418 Used book, in good condition |No supplements |...Good. 0719063418 Used book, in good condition |No supplements | Normal wear to cover and spine | Page markings | Inventory sticker present | Satisfaction guaranteed!
Description:Good. 071906340X Used book, in good condition |No supplements |...Good. 071906340X Used book, in good condition |No supplements | Normal wear to cover and spine | Page markings | Inventory sticker present | Satisfaction guaranteed!
