Taking the fire that destroyed the Fenice theatre in 1996 as his starting point, John Berendt creates a unique and unforgettable portrait of Venice and its extraordinary inhabitants. Beneath the exquisite facade of the world's most beautiful historic city, scandal, corruption and venality are rampant, and John Berendt is a master at seeking them ...
Taking the fire that destroyed the Fenice theatre in 1996 as his starting point, John Berendt creates a unique and unforgettable portrait of Venice and its extraordinary inhabitants. Beneath the exquisite facade of the world's most beautiful historic city, scandal, corruption and venality are rampant, and John Berendt is a master at seeking them out. Ezra Pound and his mistress, Olga; poet Mario Stefani; the Rat Man of Treviso; or Mario Moro - self-styled carabiniere, fireman, soldier or airman, depending on the day of the week. With his background in journalism, Berendt is perfectly poised to gain access to private and unapproachable people, and persuade them to talk frankly to him. The result is mischievous, witty, compelling - and destined to be the non-fiction succes d'estime of the year.
Very good. Book has appearance of light use with no easily noticeable wear. Millions of satisfied customers and climbing. Green Earth Books is the name you can trust, guaranteed. Spend Less. Read More.
My only complaint about John Berendt is that he is not writing books fast enough. This is a wonderful book that takes you on a grand adventure in the city of the Grand Canal. Living in Venice, John gains access to the citizens of Venice, their stories and their palaces. While there, he tries to solve the mystery of who would deliberately set the famed Opera House on fire, destroying its multi-million dollar restoration progress. His sleuthing does not always seem to go anywhere but the journey is marvelous. This is the book to read when you come home from Venice and wish you were still there. Berendt makes you feel like you are in Venice again in the most wonderful way--as a insider and not a tourist.
Apr 26, 2007
He Does it Again
John Berendt has done for Venice what he did for Savannah - brought it life. The places, the people, the happenings weave an intriguing story.
Publishers Weekly, 2005-10-31 Berendt reads his own nonfiction exploration of the seamy side of Venice with an insider's hushed tones, chronicling the life and times of the city's movers and shakers like a naughty child sharing an overheard secret. Following up his similar study of Savannah in Midnight in the Garden of Good and Evil, Berendt has cobbled together a series of entertaining tales of the legendary canal city, ranging from the squabbles of Venetian fund-raisers to the fire in the Venice Opera House. Like a cocktail-party raconteur with a particularly juicy story to tell, Berendt twists his listeners' ears with his book's seamless string of Venice-themed misbehavior and decadence. Only occasionally overemoting, Berendt mostly maintains the proper tone of high-society gossip delivered succinctly. Berendt's intimate voice helps to tie together the disparate strands of his sometimes-sprawling book. Simultaneous release with the Random House hardcover (Reviews, July 18). (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 2005-07-18 It's taken Berendt 10 years follow up his long-running bestseller, Midnight in the Garden of Good and Evil. In lieu of Savannah, he offers us Venice, another port city full of eccentric citizens and with a long, colorful history. Like the first book, this one has a trial at the its center: Berendt moves to Venice in 1997, just three days after the city's famed Fenice opera house burns down during a restoration. The Venetian chattering classes, among whom Berendt finds a home, want to know whether it was an accident or arson. Initially, Berendt investigates, but is soon distracted by the city's charming denizens. Early on, he's warned, "Everyone in Venice is acting," which sets the stage for fascinating portraits: a master glassblower creating an homage to the fire in vases, an outspoken surrealist painter, a tenacious prosecutor and others. As the infamous Italian bureaucracy drags out the investigation, Berendt spends more time schmoozing with the expatriate community in long discussions about its role in preserving local art, culture and architecture. By the time the Fenice is rebuilt and reopens, Berendt has delivered an intriguing mosaic of modern life in Venice, which makes for first-rate travel writing, albeit one that lacks a compelling core story to keep one reading into the night. Agent, Suzanne Gluck. (On sale Sept. 27) (c) Copyright PWxyz, LLC. All rights reserved
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