Fine in J Fine jacket. 4to Dust Jacket Condition: Fine. 256 pp, Foreword and Acknowledgments by Richard Koshalek; Interlude: Between Questions and Answers; But This Is Not The Moral of the Story...; The Art of Misleading Interpretation; Biographical Data compiled by David Platzker; exhibition history, bibliography, checklist of the exhibition, lenders to the exhibition, index, photograph credits with color and b&w illustrations throughout. First Edition, 1990. "Using imagery and language appropriated from twentieth-century popular culture the iconoclastic American artist sets out to confound our conditioned sense of the world. This first full-scale monograph of teh artist's work explores the ways in which Baldessari has decisively altered the course of contemporary art, the rold of photography, and the role of the artist. In three provocative and thoughtful essays, van Bruggen traces Baldessari's gradual shift from the creation of imagist mind games in the 1960s through his intellectual analyses of social codes in the late 1970s and early 1980s. In addition, the texts provide a chronological overview of the artist's career and a penetrating study of the use of narrative and dream structure in the work of th e1970s and 1980s." from the jacke flap. Not Price Clipped. Inked name on half title, else, Pristine, no wear. Clean, tight and strong binding with no highlighting or marginalia. Black cloth with white lettering to spine, and pictorial endpapers. ~Click on BOOKSTORES to browse our extensive listings of similar titles in Art History~
Very Good in Good/very good jacket. 4to 256 pages, profuse color illus., large ink inscription on front endpaper, else a nice clean copy in dustjacket, which has a little bit of fraying along the top edges.
Rizzoli International Publications, New York, NY
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