'The Kalaharl Typing School for Men' is the fourth novel in the widely acclaimed No.1 Ladies' Detective Agency series. Following on from 'Morallty for Beautiful Girls' we find Precious Ramotswe, the founder of Botswana's only detective agency now running her business from the garage of her fiance, that most gracious of men, Mr J.L.B. Matekoni. ...
'The Kalaharl Typing School for Men' is the fourth novel in the widely acclaimed No.1 Ladies' Detective Agency series. Following on from 'Morallty for Beautiful Girls' we find Precious Ramotswe, the founder of Botswana's only detective agency now running her business from the garage of her fiance, that most gracious of men, Mr J.L.B. Matekoni. Having recovered from his illness, Mr J.L.B. Matekoni is back at the helm of Tlokweng Road Speedy Motors, and plans for the couple's wedding need to be made. But when, If ever, will they wed? Intriguing cases present themselves and Mma Ramotswe juggles new clients with her usual formidable talent, but things become unusually complicated when her first-class assistant Mma Makutsi decides to expand the agency by opening a much-needed typing school for men. Amongst her puplis Mma Makutsl finds an admirer, but Mma Ramotswe, knowing how men are, decides to dig deeper. Anthony Minghella and Sydney Pollack's company Mirage will be co-producing The No.1 Ladies' Detective Agency TV series with New Africa Media Films. 'I was enchanted by the character of Precious Ramotswe and the sly humour of Alexander McCall Smith's writing, his deft evocation of a culture.' Anthony Minghella 'The No.1 Ladies' Detective Agency' received two Booker Judges' Special Recommendations in 1999 and was voted one of the 'International Books of the Year and the Millennium' by the Times Literary Supplement. 'Tears of the Giraffe' was selected as one of The Guardian's top ten Fiction paperbacks of the Year, 2000. 'The most entertaining read of the year.' The Guardian 'The author's prose has the merits of simplicity, euphony and precision. His descriptions leave one as if standing in the Botswanan landscape. This is art that conceals art. I haven't read anything with such unalloyed pleasure for a long time.' Anthony Daniels, The Sunday Telegraph 'It is not difficult to see why the director of 'The English Patient' and 'The Talented Mr Ripley', Anthony Minghella was so keen to produce the television series of these books in Africa. Smith is a careful, emblematic writer who is beyond gifted, he is a natural storyteller. Smith has once again charmed the sarongs off of us.' The List
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Very good. Book has appearance of light use with no easily noticeable wear. Millions of satisfied customers and climbing. Green Earth Books is the name you can trust, guaranteed. Spend Less. Read More.
This book lives up to his previous works - the insight into another culture just proves that we are all basicly the same.
Dec 13, 2010
Read and enjoy
Well written and gives good chuckles. Good series.
Sep 9, 2010
Who would have thought to start a typing school for strictly for men? Find a niche and fill it.
May 3, 2007
I feel the complaint of "too simplistic" can apply to all of the books in this series, and it is unfortunate that this is so, as the underlying idea, the characters, and the setting could have yielded a fabulous set of books. These books are appealing to those seeking respite from a nasty Western world, certainly. The descriptions of southernmost Africa are enjoyable, as is the notion of honest, good-hearted people in an honest, almost noble, country. But the characterizations are so broadly drawn (excuse a possible pun as to Mma R's girth) as to be somewhat insulting. Yes, the author lived there for a time, but his characters start and end with the idea of "noble savages." I could have told you, after two pages, that a white man was writing about a woman and an African nation. It just doesn't ring true, and in fact, it's rather insulting to the Africans, and to the character of Mma R, to cast them as simple yet honest folk thinking about snacking on a nice boiled pumpkin. The author doesn't care enough about his writing to keep up with his own details. I think this was just a moneymaker for him, and it's too bad, because we, the readers and the weary Westerners, could have used a more honest and heartfelt effort in portraying the characters and the country.
Publishers Weekly, 2003-03-24 The fourth appearance of Precious Ramotswe, protagonist of The No. 1 Ladies' Detective Agency and two sequels, is once again a charming account of the everyday challenges facing a female private detective in Botswana. In his usual unassuming style, McCall Smith takes up Ramotswe's story soon after the events described in Tears of the Giraffe. Precious and her fianc, Mr. J.L.B. Matekoni, still have not set a wedding date, but they continue to nurture the sibling orphans in their care, as well as the entrepreneurial ambitions of Precious's assistant, Mma Makutsi, who sets out to open a typing school for men. Along the way, Ramotswe handles a few cases and negotiates the arrival of a rival detective in Gaborone. The competition, a sexist detective who boasts of New York City street smarts, proves a delicious foil to his distaff counterpart. A moral component enters the story in the person of a successful engineer who wishes to atone for his past sins. He enlists Ramotswe to help him find the woman he has wronged, and this case comes to a satisfying yet hardly sentimental conclusion. But the real appeal of this slender novel is Ramotswe's solid common sense, a proficient blend of folk wisdom, experience and simple intelligence. She is a bit of a throwback to the days of courtesy and manners, and casts disapproving glances at the apprentices in her fianc's auto shop who obsess about girls instead of garage protocol. A dose of easy humor laces the pages, as McCall Smith throws in wry observations, effortlessly commenting on the vagaries his protagonist encounters as she negotiates Botswana bureaucracy. This is another graceful entry in a pleasingly modest and wise series. (Apr. 29) (c) Copyright PWxyz, LLC. All rights reserved
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