Now in paperback, Umberto Eco's groundbreaking and much-acclaimed first illustrated book has been a critical success since its first publication in 2004. What is beauty? Umberto Eco, among Italy's finest and most important contemporary thinkers, explores the nature, the meaning, and the very history of the idea of beauty in Western culture. The ...
Now in paperback, Umberto Eco's groundbreaking and much-acclaimed first illustrated book has been a critical success since its first publication in 2004. What is beauty? Umberto Eco, among Italy's finest and most important contemporary thinkers, explores the nature, the meaning, and the very history of the idea of beauty in Western culture. The profound and subtle text is lavishly illustrated with abundant examples of sublime painting and sculpture and lengthy quotations from writers and philosophers. This is the first paperback edition of "History of Beauty," making this intellectual and philosophical journey with one of the world's most acclaimed thinkers available in a more compact and affordable format.
Acceptable. A book with obvious wear. May have some damage to the cover or binding but integrity is still intact. There might be writing in the margins, possibly underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text.
New. 100% Money Back Guarantee. Brand New, Perfect Condition. We offer expedited shipping to all US locations. Over 3, 000, 000 happy customers. Trade paperback (US). Sewn binding. 438 p. Contains: Illustrations, black & white, Illustrations, color.
A truly beautiful book that is well organized and superbly illustrated. The pictures compliment the text and illuminate the author's comments. It is a book to be in any library not only to read completely but to be used as a reference and to be savoured as needed when looking up an artistic or literary nugget.
Publishers Weekly, 2004-11-29 This inspired book begins, after a little throat-clearing, with 11 verso-recto "comparative tables"-sets of contact-sheet-like illustrations that trace representations of "Nude Venus" and "Nude Adonis" (clothed sets follow) as well as Madonna, Jesus, "Kings" and "Queens" over thousands of years, revealing with wonderful brevity the scope of the task Eco has set for the book. What follows is a dense, delectable tour through the history of art as it struggled to cope with beauty's many forms. The text, while rigorous in its inquiries, is heavy on abstractions, which get amplified by stiff translation: "In short, the question was how to retable the debate about the Classical antitheses of thought, in order to reelaborate them within the framework of a dynamic relationship." The selections, however, are breathtaking-300 color illustrations, from Praxiteles to Pollock-and they grant the text the freedom to delve into their complex mysteries. Eco's categories for doing so (e.g., "Poets and Impossible Loves") and his historical breadth in elaborating them are creative and impressive respectively. Long quotations ranging from Plotinus and Petrarch to Xenophon and Zola allow each era to speak for itself, while Eco links them with his own epoch-leaping connections. Seen in terms of a timeless debate on the form and meaning of beauty, masterpieces like Titian's Sacred and Profane Love or Cranach's Venus with Cupid Stealing Honey seem, if possible, even more immediate, and related to our own amorous profanities and thefts. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved
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