Continuing its tradition of offering the most stimulating and eclectic collection of short fiction, creative nonfiction, and poetry, The Beacon Best returns this year with the acclaimed writer Junot Diaz as guest editor. The 2001 edition features not only celebrated wordsmiths like Ha Jin, Louise Erdrich, Francisco Goldman, Chang-rae Lee, and ...
Continuing its tradition of offering the most stimulating and eclectic collection of short fiction, creative nonfiction, and poetry, The Beacon Best returns this year with the acclaimed writer Junot Diaz as guest editor. The 2001 edition features not only celebrated wordsmiths like Ha Jin, Louise Erdrich, Francisco Goldman, Chang-rae Lee, and Zadie Smith, but also emerging new talents like T. E. Holt and Rhina P. Espaillat. This year's edition boasts deeply compassionate stories that explore the widening gap between our day-to-day experiences and what we too often read or see elsewhere. Writes Diaz in his introduction, "The freshness and originality and humanity of these writers and their work renewed me." We hope that the Beacon Best of 2001 will delight and challenge you to see the world with new eyes. Featuring the work of: Agha Shahid Ali Josefina Baez, Maile Chapman, Lucille Clifton, Edwidge Danticat, Cornelius Eady, Louise Erdrich, Rhina P. Espaillat, John Frazier, Dagoberto Gilb, Francisco Goldman, T. E. Holt, Ha Jin, Chang-rae Lee, Li-Young Lee, Nega Mezlekia, Ishle Park, Pedro Ponce, Patrick A. Rosal, Sonia Sanchez, Danzy Senna, Angela Shaw, Zadie Smith, James Ellis Thomas, Reetika Vaziran, Elissa Wald, Felicia Ward, and Tim Winton.
Publishers Weekly, 2001-08-13 "I am a 34-year-old black woman, alive at the end of the 20th century and passing for sane. Believe me, that's saying something," writes Felicia Ward in "Good Night Moon," her restrained prose fraught with complex emotions as she describes her disintegrating marriage and her rage at her children. Seeking the "gap... between the Real Story and the Official Story," Dominican-American fiction writer Diaz (Drown) culled these 28 selections, primarily by writers of color, from periodicals as diverse as O, The Oprah Magazine; Transition; Granta; Gato Pardo; and the New Yorker. Many, like Elissa Wald's "Notes from the Catwalk," are first-person narratives. Wald describes her experiences as a Times Square stripper with bluntness and pungency balanced by emotional nuance. The host at work asks her why she looks sad one night: " `My cat died this afternoon,' I told him. Incredibly, his doughy face creased into a grin. `Aw look, honey, don't take it too hard,' he guffawed. `As long as your other pussy's holding up.' " Sex and/or love are at the heart of many of the pieces in the 16-line poem "Interglacial," John Frazier describes gay ex-lovers having sex and figuring out what their relationship is about. "How to Do," a poem by Cornelius Eady, begins "It embarrasses my niece to think of her mother/ Walking the street with a cart/ Picking up empties," and describes returning bottles to the local store for food credit. Diaz draws on noted names Lucille Clifton, Zadie Smith, Louise Erdrich but many are less well-known. This excellent collection, billed as "the alternative literary annual," is an important addition to the wide world of literary anthologies. (Oct. 17) Copyright 2001 Cahners Business Information.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.