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Very good. Crease to front tip core-corner of front cover, spine slightly soiled. Otherwise fine and as new. Interior clean, binding tight. Trade paperback (US). Glued binding. 411 p. Audience: General/trade. Biography of one of the most important art dealers of the 20th century, best-known for representing and championing Georges Braque and Pable Picasso.
Very Good with no dust jacket. 0880641312. Trade Paperback. Nice condition, unmarked with a solid binding. Light scuffing on bottom text block, with minor corner bumping. "Kahnweiler opened a small art gallery in Paris in 1907 which became the exclusive gallery of several of the finest Cubist artists: Picasso, Braque, Gris and Leger, among others. Known as the greatest art dealer of his time, Kahnweiler's career is closely entwined with the history of art in the 20th century. "; B&W Photographs; Large 8vo 9"-10" tall; 411 pages.
Publishers Weekly, 1991-09-27 Kahnweiler (1884-1979), a German-Jewish banker, established a Paris gallery in 1907 and championed artists including Picasso, Braque, Leger and Gris. According to PW , ``Assouline's meticulously researched and fluidly translated biography successfully analyzes a complex figure who played a pivotal role in the marketing and eventual triumph of modern art.'' Illustrated. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 1990-06-29 Kahnweiler, a banker with German-Jewish roots, found his true calling when he established a gallery in Paris in 1907. He eventually became the dean of European art dealers through his courageous and uncompromising support of cubism. At a time when that aesthetic revolution was reviled by most critics and collectors, he championed the work of Picasso, Braque, Leger and Gris. His social circle included many of Paris's leading intellectuals, and this book presents a vivid portrait of the cultural ferment in the French capital between the world wars. Kahnweiler's business was ruined twice--in WW I by the French government, who considered him an enemy alien; then in WW II by the Germans in occupied France. He survived the Nazis by hiding in the French countryside--an experience he described as ``Paradise in the shadow of the crematoriums.'' Though an early advocate of experimentation, he disparaged the rise of abstract art toward the end of his career. Assouline's ( Gaston Gallimard ) meticulously researched and fluidly translated biography successfully analyzes a complex figure who played a pivotal role in the marketing and eventual triumph of modern art. (Aug.)
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