Just after devastating riots tear through Los Angeles in 1965 the police turn up at Easy Rawlin's doorstep to ask for his help. A man was wrenched from his car by a mob at the riots' peak and escaped into a nearby apartment building. Soon afterward, a redheaded woman known as Little Scarlet was found dead in that building - and the fleeing man is ...Read MoreJust after devastating riots tear through Los Angeles in 1965 the police turn up at Easy Rawlin's doorstep to ask for his help. A man was wrenched from his car by a mob at the riots' peak and escaped into a nearby apartment building. Soon afterward, a redheaded woman known as Little Scarlet was found dead in that building - and the fleeing man is the obvious suspect. But the man has vanished. The police fear that their presence in certain neighbourhoods could spark a new inferno, so they ask Easy Rawlins to see what he can discover. The vanished man is the key, but he is only the beginning. Rawlins's hunt for the killer reveals a new city emerging from the ashes. Mosley's lean and musical vernacular captures the heat and the rhythm of Los Angeles' heart, where danger is the common currency of everyday life. Little Scarlet is further proof that Mosley is 'a master of mystery' (New York Times Book Review).Read Less
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Publishers Weekly, 2004-05-24 Set during the Watts riots of 1965, this eighth entry in Mosley's acclaimed Easy Rawlins series (Bad Boy Brawly Brown, etc.) demonstrates the reach and power of the genre, combining a deeply involving mystery with vigorous characterizations and probing commentary about race relations in America. Easy Rawlins, 45, is-like the rest of black L.A.-angry: "the angry voice in my heart that urged me to go out and fight after all the hangings I had seen, after all of the times I had been called nigger and all of the doors that had been slammed in my face." But Easy stays out of the fiery streets until a white cop and his bosses recruit him to identify the murderer of a young black woman, Nola Payne; the cops suspect an unidentified white man whom Nola sheltered during the riots, and are worried that if they pursue the case, word will leak and the riots will escalate. Easy, an unlicensed PI who also works as a school custodian, agrees to investigate, drawing into his quest several series regulars, including the stone killer Mouse, the magical healer Mama Jo and his own family. There's also a sexy young woman whose allure, like that of the violent streets, threatens to smash the life of integrity he has so carefully built. In time, Easy focuses on a homeless black man as the killer, not only of Nola but of perhaps 20 other black women, all of whom had hooked up with white men. This is Mosley's best novel to date: the plot is streamlined and the language simple yet strong, allowing the serpentine story line to support Easy's amazingly complex character and hypnotic narration as Mosley plunges us into his world and, by extension, the world of all blacks in white-run America. Fierce, provocative, expertly entertaining, this is genre writing at its finest. (July 5) Forecast: Strong reviews, Mosley's rep and word of mouth will get this title onto lists quickly; a 30-city author tour will add lift. Expect this to be Mosley's biggest seller yet. Copyright 2004 Reed Business Information.
Publishers Weekly, 2004-09-06 Admirably performed by reader Boatman, this audiobook the latest in Mosley's series featuring Los Angeles PI Easy Rawlins (A Red Death, etc.) picks up immediately after the Watts riots of 1965. It is a time of change, and Rawlins finds himself in the unusual position of being asked to officially help the LAPD in its search for the killer of a young black woman. Mosley is at his best capturing the gritty ambience of a setting, and Boatman's skillful reading of the author's rich, descriptive prose transports listeners to that sweltering summer, when violence and fear simmered just below the city's surface. With the support of the LAPD in his back pocket, Rawlins makes his way through places that had previously been closed, if not forbidden, to the blacks of that time. Boatman does a fine job of conveying the growing sense of confidence and strength that comes with Rawlins's newfound freedom. Tightly edited and nicely produced, this already enjoyable audiobook is further enhanced by snippets of jazz accenting the story elements at the beginning and end of each disc. Simultaneous release with the Little, Brown hardcover (Forecasts, May 24). (July) Copyright 2004 Reed Business Information.
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