In this groundbreaking expose, Biskind shines a beacon into the world of independent film to reveal an irresistibly fascinating industry, replete with the same inflated egos, infighting, gossip, and greed as mainstream Hollywood, but also marked by a genuine and passionate love of filmmaking.In this groundbreaking expose, Biskind shines a beacon into the world of independent film to reveal an irresistibly fascinating industry, replete with the same inflated egos, infighting, gossip, and greed as mainstream Hollywood, but also marked by a genuine and passionate love of filmmaking.Read Less
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Publishers Weekly, 2009-01-26 With a pen dipped in acid, Biskind chronicles the deliciously dishy history of independent filmmaking in the 1990s when the Weinstein brothers bullied their way into the business with Miramax Films and passive-aggressive Robert Redford brought the Sundance Film Festival to renewed prominence. It's filled with astonishingly candid anecdotes about some of the best indie films of that era and the independent film companies that thrived and were eventually swallowed up by major studios. The tastiest morsels concern Quentin Tarantino, David O. Russell and Steven Soderbergh. Phil Gigante's even-keeled reading doesn't disrupt the fascinating flow of well-researched film lore with attempts to mimic familiar voices. He keeps things well-paced and holds listeners for the full 24 hours. A Simon & Schuster paperback (Reviews, Jan. 5, 2004). (Dec.) Copyright 2009 Reed Business Information.
Publishers Weekly, 2004-01-05 According to Biskind (Easy Riders, Raging Bulls), most people associate independent filmmaking with such noble concepts as integrity, vision and self-sacrifice. This gritty, ferocious, compulsively readable book proves that these characterizations are only partly true, and that indie conditions are "darker, dirtier, and a lot smaller" than major studios' gilded environments. The intimidating image of Miramax's Harvey Weinstein plows powerfully through Biskind's saga; the studio honcho emerges as a combination of blinding charm and raging excess, a boisterous bully who tears phones out of walls and overturns tables. Former Miramax exec Patrick McDarrah, in comparing Weinstein with his brother and partner, Bob Weinstein, concludes, "Harvey is ego, Bob is greed." These two volatile personalities directly-and fascinatingly-contrast with the book's other protagonist, Sundance creator Robert Redford. Biskind presents Redford as passive aggressive, an invariably polite conflict avoider, but also notorious for keeping people waiting and failing to follow through on commitments. Because of the actor/director's elusive persona and his artistic tastes-which Biskind describes alternately as puritanical, conservative and mushy-the Weinsteins dominate throughout. Biskind brilliantly covers their career hits, from the high-profile acquisition of Steven Soderbergh's Sex, Lies and Videotape through backstories for Cinema Paradiso, Good Will Hunting and Chicago to brutal clashes with Martin Scorsese over Gangs of New York. And Quentin Tarantino's lust for stardom, Billy Bob Thornton's "ornery, stick-to-your-guns" personality and Ben Affleck's frustration about being underpaid are just a few of the other mesmerizing elements Biskind includes. Above all, Biskind conveys a key truth: the Weinsteins and Redford, whatever their personal imperfections, possess courage and a deep, overwhelming love of film. 75,000 first printing. Agent, Kris Dahl. (Jan. 12) Forecast: A first serial will run in the February issue of Vanity Fair, and Biskind will promote the book in Boston, Los Angeles, New York, San Francisco and Washington, D.C. It should be popular with media folk on both coasts and moviegoers anywhere who are interested in the behind-the-scenes affairs of the films they love. Copyright 2003 Reed Business Information.
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