Michael and Pauline seemed like the perfect couple - young, good-looking, made for each other. The moment she walked into his mother's grocery store in the Polish neighbourhood of Baltimore, he was smitten. And in the heat of World War II fervour, they were hastily wed. But they never should have married. Pauline, impulsive and impractical, ...
Michael and Pauline seemed like the perfect couple - young, good-looking, made for each other. The moment she walked into his mother's grocery store in the Polish neighbourhood of Baltimore, he was smitten. And in the heat of World War II fervour, they were hastily wed. But they never should have married. Pauline, impulsive and impractical, tumbles hit-or-miss through life; Michael, plodding, cautious, and judgemental, proceeds deliberately. In time their foolish quarrels take their toll. A 17-year-old daughter disappears, and some years later this fractious pair is forced to rescue her little boy, named Pagan, from drug-infested San Francisco, to take him home and raise him. From the sound of the cash register in the old grocery to the counterculture jargon of the sixties, from the miniskirts to the multilayered apparel of later years, Anne Tyler captures the evocative nuances of everyday life during these decades with such telling precision that every page brings smiles of recognition. Throughout, as each of the competing voices bears witness, we are drawn ever more deeply into the complex entanglements of family life in this marvellous, multifaceted novel - one of Anne Tyler's finest.
Publishers Weekly, 2003-12-22 Because Tyler writes with scrupulous accuracy about muddled, unglamorous suburbanites, it is easy to underestimate her as a sort of Pyrex realist. Yes, Tyler intuitively understands the middle class's Norman Rockwell ideal, but she doesn't share it; rather, she has a masterful ability to make it bleed. Her latest novel delineates, in careful strokes, the 30-year marriage of Michael Anton and Pauline Barclay, and its dissolution. In December 1941 in St. Cassians, a mainly Eastern European conclave in Baltimore, 20-year-old Michael meets Pauline and is immediately smitten. They marry after Michael is discharged from the army, but their temperaments don't mix. For Michael, self-control is the greatest of virtues; for Pauline, expression is what makes us human. She is compulsively friendly, a bad hider of emotions, selfish in her generosity ("my homeless man") and generous in her selfishness. At Pauline's urging, the two move to the suburbs, where they raise three children, George, Karen and Lindy. Lindy runs away in 1960 and never comes back-although in 1968, Pauline and Michael retrieve Pagan, Lindy's three-year-old, from her San Francisco landlady while Lindy detoxes in a rehab community that her parents aren't allowed to enter. Michael and Pauline got married at a time when the common wisdom, expressed by Pauline's mother, was that "marriages were like fruit trees.... Those trees with different kinds of branches grafted onto the trunks. After a time, they meld, they grow together, and... if you tried to separate them you would cause a fatal wound." They live into an era in which the accumulated incompatibilities of marriage end, logically, in divorce. For Michael, who leaves Pauline on their 30th anniversary, divorce is redemption. For Pauline, the divorce is, at first, a tragedy; gradually, separation becomes a habit. A lesser novelist would take moral sides, using this story to make a didactic point. Tyler is much more concerned with the fine art of human survival in changing circumstances. The range and power of this novel should not only please Tyler's immense readership but also awaken us to the collective excellency of her career. (Jan.) Forecast: Expect the usual blockbuster sales-there will be a first printing of 300,000. This is also likely to become one of Tyler's strongest backlist titles. (c) Copyright PWxyz, LLC. All rights reserved
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