Many years ago, Iris Greenfeder's mother disappeared. They were living at Hotel Equinox where Iris's father was the manager and where Iris's mother wrote delicate, powerful fantasies. Then she took a train and never returned, dying in a hotel fire in Brooklyn where she was registered as another man's wife. Returning to Hotel Equinox, now a ...
Many years ago, Iris Greenfeder's mother disappeared. They were living at Hotel Equinox where Iris's father was the manager and where Iris's mother wrote delicate, powerful fantasies. Then she took a train and never returned, dying in a hotel fire in Brooklyn where she was registered as another man's wife. Returning to Hotel Equinox, now a struggling academic, Iris needs to find the truth about her mother; some keys are held in those fantastical writings and others in the memories of those who knew her. Kay Greenfeder, it seems, was a woman without a past. But as Iris begins to untangle the secrets of years before, she realises that the past was very different to what she had believed, and much more dangerous...
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Obviously written with hopes of being adapted for the big screen, what could have been a favorite book is reduced to a pretentious, badly edited waste of paper. Too often I had visions of the author searching her thesaurus for a more obnoxious descriptor. (exactly like that.) I also found myself enjoying the misfortunes of the obtuse heroine, Iris Greenfeder, a little too much. Goodman has a talent for creating the most redundantly annoying phrases, kinda like a 16 year old creative writing student.
May 1, 2007
Found plot mildly interesting, but not "riveting"; writing mediocre; could easily put it down, but others might like it.
Publishers Weekly, 2002-11-11 An aspiring writer delves into the long-buried mystery of her novelist mother's death in this silky-smooth novel by the author of The Lake of Dead Languages. Water, from Iris Greenfeder's perspective, is the Hudson River. She has a view of it from her five-story walkup in New York City's westernmost Greenwich Village, and it shimmers in the distance from the Equinox, the Catskills hotel where Iris grew up. Her father, Ben, was the manager at the Equinox; her mother, Kay, a former maid, wrote two fantastical novels there. Driving the plot is the not-so-simple question: did Kay write a third novel, and is it hidden at the Equinox? Back at the hotel for the summer, Iris plans to write the story of her mother's life and search for the missing manuscript. As she attempts to solve the mystery, she is abetted and thwarted by a large cast of characters, including her mother's famous literary agent, the mega-millionaire owner of a hotel chain, the daughter of a famous suicidal poet, an all-knowing gardener and the delicious Aidan Barry, whom Iris meets while he's still in prison. The novel's first-person, present-tense narrative fosters intimacy, though it somewhat undercuts suspense. More effective is the use Goodman makes of the Irish myth of the selkie-half-seal, half-woman-as told by Iris's mother. Mystery, folklore, a thoroughly modern romance, a strong sense of place and a winning combination of erudition and accessibility make this second novel a treat. (Jan.) Forecast: This novel is tailor-made for book clubs, as Ballantine is well aware. It will later be issued as a Ballantine Reader's Circle trade paperback, and it should build handily on the success of The Lake of Dead Languages. (c) Copyright PWxyz, LLC. All rights reserved
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