"Bleak House" (1853) is one of Dickens' most ambitious works and established his reputation as a mature novelist capable of writing about the most serious issues while maintaining a talent for the blackest humour and comic farce. Narrated in turns by ward of court, Esther Summerson and an unnamed narrator whose outlook both compliments Esther's ...
"Bleak House" (1853) is one of Dickens' most ambitious works and established his reputation as a mature novelist capable of writing about the most serious issues while maintaining a talent for the blackest humour and comic farce. Narrated in turns by ward of court, Esther Summerson and an unnamed narrator whose outlook both compliments Esther's and challenges it, the stories of Ada and Richard Clare, whose inheritance is gradually depleted under the burden of legal costs, Tulkinghorn the lawyer, Inspector Bucket and Esther herself, are brought together in a complex tale of corruption and the heartlessness and inefficiency of the legal system. Based on the world-famous "Nonesuch Press" edition of 1937, the text is taken from the 1867 "Chapman and Hall" edition, which became known as the "Charles Dickens" edition, and was the last edition to be corrected by the author himself."The Nonesuch" edition contains illustrations selected by Dickens himself, by artists including Hablot Knight Browne ('Phiz'), George Cruikshank, John Leech, Robert Seymour and George Cattermole. The new "Nonesuch Dickens" reproduces the original elegance of these beautiful editions. Books are printed on natural cream shade high quality stock, are quarter bound in bonded leather with cloth sides, include a ribbon marker and feature special printed endpapers. Each book is wrapped in a protective, clear acetate jacket.
Very Good- in None Issued jacket. 12mo. Publisher's three-qyarter calf with spine in 6 gil-decorated or labeled compartments; marbled paper covered boards, marbled endpapers, page edges marbled; lacking labels; illustrated; some rubbing wear to extremities of spine and corners; front endpapers cracked; internally clean, bright & sound; Library Edition.
Good. 12mo 6.75-7.75'' tall. August 3, 1889 early paperback, from Hurst & Co. tri-weekly Cosmopolitan Series. Grey cover, black lettering and decorations. Portrait engraving of Dickens on front. Moderate general wear. Cover has short tears, edgewear, soiling. Text pages yellowing, some brittle tips missing. 352 pages.
Very good. No dust jacket. 966 p. Includes illustrations. From the People's Edition of Charles Dickens' Complete Works. Over 200 illustrations. Handsome brown and red Victorian cover with gold titles, faded in spots. Signed by previous owner, otherwise the pages are unmarked. Front hinge is cracked but holding.
Good. No dust jacket. Not ex-library. 1894 edition. Dark green cloth hardcover. Good Book/No Jacket. 8.2 * 5.1. V. I-457 p. Green foxings on cover & spine; several residua of paper on back cover; V. II-449 p. Marginal (hinge of the binding) washmarks on several pages; some green foxings on spine & the edge of cover; moderate edges' wears on cover, minor to moderate scratches on cover; other than that, clean, tight, & light tanned pages. Golden edge on top side of binding & original illustrations inside. No bent on spine. Bubble wrap guarantee. Free tracking in U.S. Email notification after shipping. (G01)
Lossing Barritt. Good. No dust jacket. Tight and clean. Owner name on front flyleaf (in pencil). Illustrations are fresh and there is no foxing. Brown cloth cover with blind stamp of Dickens on front. Date 1853 listed is from introduction by Dickens. Bottom edges of front cover show some wear, particularly at corners. Top of spine is very mildly worn. Text in two columns.
Fair. 1884. FOXING. HEAVY COVER WEAR. CRACKED HINGES. An acceptable hardcover copy. Pages are yellowed, and have a lightly musty smell. Foxing on page-edges, and heavy on pages. Cover corners and edges are smudged and shallowly scratched. Corners and edges are bumped and rubbed to show cardboard. No dust jacket. No ISBN. Booksavers receives donated books and recycles them in a variety of ways. Proceeds benefit the work of Mennonite Central Committee (MCC) in the U.S. and around the world.
Bleak House is a novel of immense drama and, yes, heart-rending bleakness. Too many innocent people are ruined by the desolate pains surrounding the inhabitants of Bleak House, from a list of unavoidable circumstances.
Young Esther Summerson, our heroine, looks upon Mr. Jarndyce as her guardian and protector. As the Jarndyce and Jarndyce lawsuit continues on in Lincoln's Inn Hall year after year, it wrecks many a man involved in British law. Although it is Mr. Jarndyce and his family's business that tangles the infamous lawsuit, his interests do not lie with it. Instead, one of Esther's dearest friends, Richard, takes on the role of lawyer upon his shoulders; although his eager and young mind hopes to settle matters that have remained snarled for decades, he pays a terrible price.
Lady Dedlock is a haunted woman, with her secret always lurking around the corner, ready to be exposed. What she didn't even know was that her child did not die at birth, but has actually been kept alive for all these years since, unbeknownst to her. As her story plays out, the reader finds the moral in not keeping secrets.
Jo, a boy destined merely for the streets, fulfilling the only predetermined path his existence could lead to. Mr. Bucket, the detective who happens to be in just the right place to put the pieces together of a very large event on the whole; a man of whom Sherlock Holmes could approve of. Ada, a blessed girl who finds herself directly in the center of Bleak House's most terrible moments, but provides the friendship that Esther Summerson so needs.
Esther Summerson, who simply aims to do the best she can in her situation, just like us all. Through all the emotion, surprises, and heartbreaking news, she's a trooper, that Dame Durden.
As these lives and more twist together in connective plots that are so intricate, you see what the real of existence of humanity is degraded to, and yet, what we could be.
Personally, Bleak House didn't become my favorite Dickens novel, but it certainly is a well-written piece of Victorian literature.
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Mr. Jarndyce called me into a small room next his bed-chamber, which I found to be in part a little library of books and papers and in part quite a little museum of his boots and shoes and hat-boxes.
"Sit down, my dear," said Mr. Jarndyce. "This, you must know, is the growlery. When I am out of humour, I come and growl here."
"You must be here very seldom, sir," said I.
"Oh, you don't know me!" he returned. "When I am deceived or disappointed in?the wind, and it's easterly, I take refuge here. The growlery is the best-used room in the house. You are not aware of half my humours yet...."
Nov 4, 2008
Tell us what you really think, Charles...
I am stunned that a novel with such a labyrinthine plot can be so engaging. A deeply satirical, jaundiced view of the British legal and social system of Dickens' era, "Bleak House" tells the story of an orphan, Esther Summerson, as well as those others entangled with her life in various, sometimes mysterious ways. For roughly half of the book, she serves as our narrator from her perspective as a good-hearted, intelligent girl who has had the good fortune to be taken in as a companion and housekeeper for interested parties in the interminable case of Jarndyce & Jarndyce. This case, over disputed Wills, has sucked in far too many people's lives as it stretches on and on with no end in sight. Our other, more mysterious narrator, is more omniscient, and it is here that we are lead detective-like through the underbelly of the city, tracing mysterious connections and witnessing legal blackmail and the desperation it engenders. Dickens here is at his height of linguistic prowess, where the way he utilizes language says more about the characters on the page than his actual sentences do. This is definitely a classic to search out, for its linguistic feats and for the strong social commentary it unflinchingly serves.
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