It's clear to most members of Midsomer Worthy's Writers' Circle that asking bestselling author Max Jennings to talk to them is a little ambitious. Less clear are the reasons for secretary Gerald Hadleigh's fierce objections to seeing the man - a face from his past - again. Astonishingly, Jennings accepts the invitation but, before the night is out ...
It's clear to most members of Midsomer Worthy's Writers' Circle that asking bestselling author Max Jennings to talk to them is a little ambitious. Less clear are the reasons for secretary Gerald Hadleigh's fierce objections to seeing the man - a face from his past - again. Astonishingly, Jennings accepts the invitation but, before the night is out, Gerald is dead. Summoned to investigate, Chief Inspector Barnaby finds that Gerald's life is as much of a mystery to his neighbours as his violent death. The key is surely their illustrious guest speaker - but where is he now?
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Publishers Weekly, 1995-01-30 Many elements in Graham's Chief Inspector Barnaby mysteries harken back to Christie: a small English village setting, a cast of odd characters, a sagacious inspector with his loyal sergeant. In this fourth entry, following Death in Disguise, the Midsomer Worthy Writers' Circle invites author Max Jennings to speak to them. Circle member Gerald Hadleigh is opposed to the choice but refuses to explain. He asks fellow member Rex St. John to stay with him throughout Jennings's visit. But after the event, the elderly St. John is tricked into departing, leaving Hadleigh alone with Jennings. The next morning, Hadleigh is found bludgeoned to death and Jennings is gone. The members of the Writers' Circle respond variously. St. John falls into a deep depression; Laura Hutton, whose love of the victim was unrequited, pitches into a days-long crying and drinking jag; Honoria Lyddiard evinces little reaction; her sister-in-law, Amy, and Sue Clapton are suitably shocked. Sue's husband, Brian, seems almost ``gleeful.'' The skill with which Graham evokes these characters and explores their individual, often damaged, emotional histories rings of Rendell and P.D. James. The few too many coincidences in the plot will be forgiven for the crisp pace and satisfying twist at the end. (Mar.)
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