THE TIPPING POINT is the biography of an idea, and the idea is quite simple. It is that many of the problems we face - from crime to teenage delinquency to traffic jams - behave like epidemics. They aren't linear phenomena in the sense that they steadily and predictably change according to the level of effort brought to bear against them. They ...
THE TIPPING POINT is the biography of an idea, and the idea is quite simple. It is that many of the problems we face - from crime to teenage delinquency to traffic jams - behave like epidemics. They aren't linear phenomena in the sense that they steadily and predictably change according to the level of effort brought to bear against them. They are capable of sudden and dramatic changes in direction. Years of well-intentioned intervention may have no impact at all, yet the right intervention - at just the right time - can start a cascade of change. Many of the social ills that face us today, in other words, are as inherently volatile as the epidemics that periodically sweep through the human population: little things can cause them to 'tip' at any time and if we want to understand how to confront and solve them we have to understand what those 'Tipping Points' are. In this revolutionary new study, Malcolm Gladwell explores the ramifications of this. Not simply for politicians and policy-makers, his method provides a new way of viewing everyday experience and enables us to develop strategies for everything from raising a child to running a company.
Very Interesting. Very observant. A really good read. But then I enjoy all of Gladwell's books.
The book itself was in perfect condition and arrived in a most timely manner. Very pleased.
Sep 15, 2011
Stuff You Never Thought Of
This book, along with Gladwell's "Blink" and "Outliers: The Story of Success" are outstanding reads and invoke memories of the first time I read Vance Packard's "The Hidden Persuaders" some forty years ago; the feeling that someone was sharing secrets that had always been kept from me about the world I live in. I'll read more of Malcolm Gladwell.
Aug 2, 2011
The Tipping point
I reached this tipping point pretty early in this book .In my opinion it could be described in one word .BORING!!!!
Aug 1, 2011
The book was as described and arrived in quickly. I was very pleased with this purchase.
Jan 24, 2011
A Great Read
Another, looking at things from a different angle, pearl of wisdom from Malcolm Gladwell. This is the 3rd book from him that I have read and it is no less enjoyable than the other two. Learn how things become an epidemic, how a no name brand of shoes close to scrapping, but when worn by a few people in soho become a global phenomenon. Where 6 degrees of separation is from, work out if you know a Maven, Connector or a salesman. Why do some issues tip and others don't its all answered in the unique style of Malcolm. Read his other books too they are very enjoyable and not too heavy even though some of the concepts are.
Publishers Weekly, 2001-02-19 With strong sales overseas and a movie deal in the works, book one in The Saga of Darren Shan series is poised to capture a wide audience of series horror readers. After a rather slow buildup, a boy with the same name as the author sneaks out with best friend Steve to an illicit freak show, and his life becomes entangled with a vampire spider-wrangler, Mr. Crepsley. "This is a true story," writes Shan. "In real life, bad things happen. People die. Fights are lost. Evil often wins." The scenario is compelling, and the author mines the exploitative history of early 20th-century sideshows to create an artfully macabre "Cirque du Freak." But Darren's actions are often undermotivated: "I can't explain why Madam Octa [the spider] meant so much to me, or why I was placing my life in such danger to have her. Looking back, I'm no longer sure what drove me on." Also his intermittent attraction to and repulsion by the vampire is never fully explored. His behavior may be explained in the sequel, The Vampire's Assistant (due in Sept.), but the open ending leaves so many loose ends that readers may leave more frustrated than intrigued, especially since the characters' wooden dialogue drains them of personality ("I'm upset," says Steve. "It hurt, what Mr. Crepsley said, and you ignoring me at school... If you break up our friendship, I don't know what I'll do"). Readers interested in boys becoming vampires would be better served by M.T. Anderson's Thirsty and those fascinated with freaks by Iain Lawrence's Ghost Boy. Ages 10-up. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 2000-02-14 The premise of this facile piece of pop sociology has built-in appeal: little changes can have big effects; when small numbers of people start behaving differently, that behavior can ripple outward until a critical mass or "tipping point" is reached, changing the world. Gladwell's thesis that ideas, products, messages and behaviors "spread just like viruses do" remains a metaphor as he follows the growth of "word-of-mouth epidemics" triggered with the help of three pivotal types. These are Connectors, sociable personalities who bring people together; Mavens, who like to pass along knowledge; and Salesmen, adept at persuading the unenlightened. (Paul Revere, for example, was a Maven and a Connector). Gladwell's applications of his "tipping point" concept to current phenomena--such as the drop in violent crime in New York, the rebirth of Hush Puppies suede shoes as a suburban mall favorite, teenage suicide patterns and the efficiency of small work units--may arouse controversy. For example, many parents may be alarmed at his advice on drugs: since teenagers' experimentation with drugs, including cocaine, seldom leads to hardcore use, he contends, "We have to stop fighting this kind of experimentation. We have to accept it and even embrace it." While it offers a smorgasbord of intriguing snippets summarizing research on topics such as conversational patterns, infants' crib talk, judging other people's character, cheating habits in schoolchildren, memory sharing among families or couples, and the dehumanizing effects of prisons, this volume betrays its roots as a series of articles for the New Yorker, where Gladwell is a staff writer: his trendy material feels bloated and insubstantial in book form. Agent, Tina Bennett of Janklow & Nesbit. Major ad/promo. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
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