Long before "turn on, tune in, drop out" became the credo of the American counterculture, Aldous Huxley was using mescaline and LSD in controlled, carefully documented experiments. Accounts of those psychedelic experiences, along with his interest in Eastern mystical religions, accompany the moving story of Aldous Huxley's later years with his ...
Long before "turn on, tune in, drop out" became the credo of the American counterculture, Aldous Huxley was using mescaline and LSD in controlled, carefully documented experiments. Accounts of those psychedelic experiences, along with his interest in Eastern mystical religions, accompany the moving story of Aldous Huxley's later years with his wife, Laura. Huxley's fascination with the spiritual world remained with him throughout his life and never wavered through his final illness in 1963. THIS TIMELESS MOMENT takes the reader into the lively mind of one of the most profound thinkers of any generation.
Fair. A readable copy only. All pages and the cover are intact, may not include dust jacket. Pages may include considerable notes in pen or have highlighting. Possible ex library copy. May not contain accessories.
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Near Fine unmarked except owner signature inside; in VeryGood price-clipped jacket. The story of Aldous Huxley's later, controversial years. Solid bright clean tight copy of HB 1st. 5-3/4 x 8-1/2, 331 pp, b/w illus, red endpapers, top edge tinted.
Photos. G in G DJ ex-library. In his last years, Huxley turned from brilliant novel writing to Vedanta, Zen & other mystic religions & experimented with. Psychedelic drugs. Huxley's wife Laura, who came to the U.S. shorly before WWII to make her debut as a concrt violinist in Carnegie Hall, discusses their daily life, his work methods, the disastrous canyon fire that destroyed their home & all of his work in progress, notes & mementos of a lifetime. It also includes a first chapter from his last work. Huxley believed that when dying one should be more conscious rather than less.
This Timeless Moment is Laura Archera Huxley?s memoir of her marriage to Aldous Huxley. Laura Archera, a young musician from Italy, married the aging and recently widowed Huxley in 1956. Her book chronicles their life together until his death from throat cancer in 1963.
By her own admission, Mrs. Huxley was not a ?bookish? person. Nor was English her mother tongue. Her writing style is strangely disjointed and contains both non-sequiturs and inconsistencies. Nonetheless, her love for Aldous Huxley is clear. It is this love that makes the book worthwhile.
Due to Mrs. Huxley?s tact and awkward writing style, the reader needs a background knowledge of Aldous Huxley?s life and work to understand a number of her anecdotes and veiled references. I re-read Mrs. Huxley?s memoir after completing David King Dunaway?s Aldous Huxley Recollected. Mrs. Huxley?s story made more sense once I?d gained the necessary background knowledge of Huxley?s final years.
Mrs. Huxley devotes a chapter and then some to the Huxleys? drug use. This section of the work has a crusading tone which I found annoying. It is followed by several heartbreaking chapters describing Huxley?s final illness and death. I developed a new appreciation for this man (and his wife) who worked so hard to finish one final essay, ?Shakespeare and Religion?, just days before his death. Mrs. Huxley reveals that Huxley told her in his final days that he was on the verge of filing everything together in one last novel. She then shares the first chapter of this unnamed, unfinished work. It is beautiful (and is, unmistakably, Aldous Huxley). It is the finest chapter in Mrs. Huxley?s book. I kept wishing it would go on and on.
Mrs. Huxley succeeds in showing a rarely seen side of Aldous Huxley. So often, he is portrayed as cold, aloof and cerebral. Here, Huxley is a warm, vibrant, sensual human being who is utterly at peace with himself and the world.
Publishers Weekly, 1991-02-15 Huxley's second wife describes the period in his life from 1948 until his death in 1963, defending and evincing admiration for his experimentation with psychedelic drugs and his use of psychological principles to improve poor vision. According to PW , this is ``a very personal and sensitive portrait . . . serious and deeply emotional.'' (Mar.)
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