A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from ...Read MoreA Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. In addition to the full text of the play, this edition contains a chronology of the playwright's life and work; an introduction giving the background to the play, a discussion of the various interpretations; notes on individual owrds and phrases as well as photographs from stage productions.Read Less
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New. A cura di S. E. Gontarski. Pisa, 2012; br., pp. 360. (Canone Teatrale Europeo. 7). Philip C. Kolin ha definito "A streetcar named desire" come "una delle pių influenti pičce del Novecento". Si tratta certo di considerazioni valide non solo per il mondo anglosassone. "Streetcar" ebbe un immediato e profondo impatto su un Europa devastata dalla Seconda Guerra Mondiale; a un Europa che usciva dal fascismo "Streetcar" mostrava uno stile di vita aperto, tanto da essere associato alle idee di liberazione politica, di letteratura alternativa, di emancipazione sessuale. Gli aspetti sensazionalistici di Williams contribuirono ad attrarre un largo pubblico, ma la fama che lo riconosce probabilmente come il pių grande e pių fortunato dei drammaturghi americani si fonda sul suo linguaggio, sulla poesia del suo teatro.
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A play, especially one by Mr. Williams, is always fun to read and re-imagine. I've seen most of his big plays: "Streetcar"; "Glass Menagerie"; "Cat on a Hot Tine Roof"; "Night of the Iguana"; "The Rose Tattoo". As well as having seen: "Small Craft Warnings" and such. But "Streetcar" is so amazing for the forces of genteel courtesies vs. raw, sexual passions brought together and ultimately entangled in sometimes funny but terrible ways. And then there is the past: Blanche's past with hints of pedophilia, and her total ignorance of managing estate issues and Stanley's past with his ignorance, rage and yet, a sort of innocence that he then betrays by forcing himself upon Blanche. We, as the audience, laugh at and empathize with both of the principals and the agonies of their smaller, fellow cast members. Quite a thing to experience...
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