This collection of essays by scholar-activist W. E. B. Du Bois is a masterpiece in the African American canon. Du Bois, arguably the most influential African American leader of the early twentieth century, offers insightful commentary on black history, racism, and the struggles of black Americans following emancipation. In his groundbreaking work, ...
This collection of essays by scholar-activist W. E. B. Du Bois is a masterpiece in the African American canon. Du Bois, arguably the most influential African American leader of the early twentieth century, offers insightful commentary on black history, racism, and the struggles of black Americans following emancipation. In his groundbreaking work, the author presciently writes that "the problem of the twentieth century is the problem of the color line," and offers powerful arguments for the absolute necessity of moral, social, political, and economic equality. These essays on the black experience in America range from sociological studies of the African American community to illuminating discourses on religion and "Negro music," and remain essential reading in our so-called "post-racial age." A new introduction by Jonathan Scott Holloway explores Du Bois's signature accomplishments while helping readers to better understand his writings in the context of his time as well as ours.
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Du Bois, writing in 1903, takes issue with Booker T. Washington?s gradualist paradigm of addressing race inequality and calls instead for immediate equal rights, regardless of race or gender. The first African American to receive a PhD form Harvard claims that ?the problem of the Twentieth Century is the problem of the color-line? (3). He seeks to examine this problem by explaining what Emancipation meant to the black community (I) and what it effected (II). He explicitly criticizes Washington?s vision (III) then uses his experience of teaching school in TN while a student at Fisk to illustrate the experience of ?life within the Veil? (of living as a black person in a white-dominated world) (IV), and (V-VI) the ideology of Atlanta University to challenge both the ideals of the Reconstruction approach to educating freedmen (that all should be pressed toward liberal arts University study for the advancement of the race?Du Bois proposes instead that training should match capacity and suggests that the dignity of common work is better prepared for by training specific to it), and the post-Reconstruction assessment of the failure of the project (its misconception, rather than the limitations of the black race, was the reason for the failure), contending that the black university should be to ?maintain the standards of popular education... seek the social regeneration of the Negro... help in the solution of problems of race contact and coöperation.... [and] it must develop men? (80). He gives a tour of the Black Belt (VII-VIII) to help the reader understand the hard nature of life in black communities. He explores the way the (then) current condition of the black race is both the result of and contributor to racial prejudice, with a very fair assessment of both parties of the ?sons of master and man? (IX). He explores the way Negro religion both placates the status quo and urges for equality by speaking to the deep urges of the soul (X). In a painfully personal chapter he explores the death of his first child and realizes that he is somewhat glad the child has escaped the harsh realities of black life (XI). Du Bois concludes the book with a tribute to a mentor, in which he finds the triumph over the three hampers to black progress: Hate, Despair and Doubt (XII); a picture of racial repression in the face of nobel striving for betterment leading to a lynching (XIII); and a depiction of the black condition in Negro spiritual music (XIV).
Mar 2, 2011
Excellent and moving
This was beautifully written. Certainly he was describing the conditions of black people during his time, so it is a political/sociological treatise, but it was also almost poetic in places. I understand it was originally written as separate essays, but it flows beautifully. Well worth the read.
Jun 5, 2009
Read Before U Leave College
You must experience this book by reading it for the first time. I don't know how I left college without ever reading essential DuBois. The book is basically a snap shot of the historical events he witnessed, his observation and relations with people and commentary. The writing style AWESOME, complicated, and balanced, all at the same time.
What I can appreciate most is that the book is as much a guide on credit, debt, personal financial loss and charity, as it is on social and political science.
Shortly after the war the freedmen contributed $750,000 to their educational betterment, purchased land, started various business enterprises, and saved with the Freedmen's Bureau Bank. This showed incredible thrift on their part, a kind of thrift that can be admired even today.
Publishers Weekly, 2002-11-25 Historic flights take the spotlight in two fall titles. Talkin' About Bessie: The Story of Aviator Elizabeth Coleman by Nikki Grimes, illus. by E.B. Lewis, recalls the life of the world's first licensed African-American female pilot through 20 eulogies, fictionalized perspectives based on actual people. "I remember that bone-chillin' January day in 1892/ when Bessie's first cry raised the roof/ off that dirt-floor cabin, back in Texas," Bessie's father, George Coleman, begins. Newspaper editor Robert Abbott tells of her enrollment in a French flight school ("No flight school/ in our color-minded nation/ would accept a woman, or a Negro"). Lewis's elegant inset portraits appear alongside the words of each speaker; full-bleed, full-page paintings illustrate dramatic moments in Coleman's life. (c) Copyright PWxyz, LLC. All rights reserved
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