In 1954, a fisherman is found dead in the nets of his boat, and a local Japanese-American man is charged with his murder. In the course of his trial, it becomes clear that what is at stake is more than one man's guilt. For on San Piedro, memory grows as thickly as cedar trees and the fields of ripe strawberries - memories of a charmed love affair ...
In 1954, a fisherman is found dead in the nets of his boat, and a local Japanese-American man is charged with his murder. In the course of his trial, it becomes clear that what is at stake is more than one man's guilt. For on San Piedro, memory grows as thickly as cedar trees and the fields of ripe strawberries - memories of a charmed love affair between a white boy and a Japanese girl; memories of land desired, paid for, and lost. Above all, San Piedro is haunted by the memory of what happened to its Japanese residents during World War II, when an entire community was sent into exile while its neighbours watched.
Very good. Appearance of only slight previous use. Cover and binding show a little wear. All pages are undamaged with potentially only a few, small markings. Help save a tree. Buy all your used books from Thriftbooks. Read. Recycle and Reuse.
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This book is so well written. The story content itself is very worthy, but the author's descriptions are very vivid and his insight into the human condition is excellent. An especially good read for the history buff.
Oct 9, 2007
This is a watered down version of "To Kill a Mocking Bird." I liked the idea of a man defending the husbann of a woman he still loves. Unfortunately the characters are not flashed out. They remain two dimensional through out the story. Guterson also falls into the sterotype of the soft spoken Japanese woman. The husband too also falls into the sterotype.
Also he decribes the landscapes for pages on end. If Guterson put halp as much effort into his characters as he did the landscape this might have been a good story.
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