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When it appeared in 1960, the inspired fun of Francois Truffaut's Shoot the Piano Player shocked and delighted critics and audiences around the world ...Show synopsisWhen it appeared in 1960, the inspired fun of Francois Truffaut's Shoot the Piano Player shocked and delighted critics and audiences around the world. Its sudden shifts of tone and mood, its willful play with genre stereotypes, and its hilarious in-jokes clearly signaled that Jean-Luc Godard's equally innovative Breathless of the same year was not a fluke. The two films heralded the arrival of the so-called New Wave, sharing with other New Wave films an insistence on low-budget, location shooting and, above all, on cinema as the personal statement of an author. These films had a tremendous impact on all cinematic practice. Peter Brunette's introduction to this book gives us new insight into the film, based in part on revisualizing it in terms of recent postmodern and poststructuralist thinking. He argues, in effect, that Truffaut was one of the directors who paved the way for a postmodern aesthetic. The volume also contains a complete and accurate continuity script of the film (based on the authoritative, wide-screen version), a series of interviews with Truffaut (including one by Helene Laroche Davis, previously unpublished), a large number of reviews and essays, a filmography, and selected bibliography. Peter Brunette is a professor of English and film studies at George Mason University. He is the author of Roberto Rossellini and co-author of Screen/Play: Derrida and Film Theory.Hide synopsis
Description:Paperback. New Condition. SKU: 9780813519425-1-0-3 Orders ship...Paperback. New Condition. SKU: 9780813519425-1-0-3 Orders ship the same or next business day. Expedited shipping within U.S. will arrive in 3-5 days. Hassle free 14 day return policy. Contact Customer Service for questions. ISBN: 9780813519425.
Description:Very Good- 081351942x. Trade paperback, spine is tight &...Very Good- 081351942x. Trade paperback, spine is tight & uncreased, rear cover has several creases at upper corner, front cover curled at lower corner, VG-.; 0.61 x 9 x 6 Inches; 262 pages.
Description:Fine. 081351942x. Rutgers Films in Print; 0.61 x 9 x 6 Inches;...Fine. 081351942x. Rutgers Films in Print; 0.61 x 9 x 6 Inches; 272 pages; When it appeared in 1960, the inspired fun of Francois Truffaut's Shoot the Piano Player shocked and delighted critics and audiences around the world. Its sudden shifts of tone and mood, its willful play with genre stereotypes, and its hilarious in-jokes clearly signaled that Jean-Luc Godard's equally innovative Breathless of the same year was not a fluke. The two films heralded the arrival of the so-called New Wave, sharing with other New Wave films an insistence on low-budget, location shooting and, above all, on cinema as the personal statement of an author. These films had a tremendous impact on all cinematic practice. Peter Brunette's introduction to this book gives us new insight into the film, based in part on revisualizing it in terms of recent postmodern and poststructuralist thinking. He argues, in effect, that Truffaut was one of the directors who paved the way for a postmodern aesthetic. The volume also contains a complete and accurate continuity script of the film (based on the authoritative, wide-screen version), a series of interviews with Truffaut (including one by Helene Laroche Davis, previously unpublished), a large number of reviews and essays, a filmography, and selected bibliography. Peter Brunette is a professor of English and film studies at George Mason University. He is the author of Roberto Rossellini and co-author of Screen/Play: Derrida and Film Theory.
Publisher: Chapel Hill, North Carolina, U.S.A. : Rutgers Univ Pr
Description:Very Good. Trade paperback in very good condition. Small crease...Very Good. Trade paperback in very good condition. Small crease on front cover. Front end page price clipped.
