Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies--and why we often fail when we try to do so. ...
Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies--and why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"? In the first and longer part of his work, Booth deals with the workings of what he calls "stable irony," irony with a clear rhetorical intent. He then turns to intended instabilities--ironies that resist interpretation and finally lead to the "infinite absolute negativities" that have obsessed criticism since the Romantic period. Professor Booth is always ironically aware that no one can fathom the unfathomable. But by looking closely at unstable ironists like Samuel Becket, he shows that at least some of our commonplaces about meaninglessness require revision. Finally, he explores--with the help of Plato--the wry paradoxes that threaten any uncompromising assertion that all assertion can be undermined by the spirit of irony.
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Very Good hardcover in light brown boards. No dustjacket. Normal shelfwear to the exterior including several small smudges. Several instances of underlining and marginalia throughout. Otherwise, pages and text are clean and bright. Overall, an attractive copy. 292 pp.
Very Good in Very Good jacket. Previous owner's signature on front paste down; text is bright and clean, though the top edge of the pages is lightly foxed. Binding is tight and square. Dust jacket is edge worn, scuffed in some places and shows some foxing along the edges. 292p.
Very Good + 8vo. Hardcover, 8vo. First edition. 292 pp with index. Foxing to page edges. Slight musty odor. Else VERY GOOD + in like dust jacket. DJ has large closed tear to front panel, some edgewear and foxing. In Mylar. All domestic orders $100 and over will be upgraded to USPS Priority shipping at no additional cost.
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