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Description:Fair to Good. Softcover Wraps are rubbed, faded, tanned and torn...Fair to Good. Softcover Wraps are rubbed, faded, tanned and torn all down the spine. Notation inside of front wrap. Interior is lightly tanned with notations, underlining, and soiling especially near the spine. Pages are loose.
Description:Good. New York: Museum of Modern Art, 1965. First edition....Good. New York: Museum of Modern Art, 1965. First edition. Softcover. 56 pp. Good. Front cover has two inch closed tear. Cover have light wrinkling. Spine sunned and bumped.
Description:Fair. Heavy wear. Light interior markings. Good reading copy....Fair. Heavy wear. Light interior markings. Good reading copy. All items shipped to US include delivery confirmation. Thanks for looking!
Description:Very Good. Collectible. 8vo-over 7¾"-9¾" tall. 51 pp., illus. ...Very Good. Collectible. 8vo-over 7¾"-9¾" tall. 51 pp., illus. (part col. ); 24 cm. Near fine. Firm binding, clean inside copy. Age toning. This was the most important exhibition heralding "Optical" or "Op Art, " with the vibrating, undulating design by Bridget Riley on the front cover. Color-field painting goes psychedelic. Includes: Agam, Josef Albers, Richard Anuskiewicz, Edward Avedisian, Walter Darby Bannard, Larry Bell, Max Bill, Gene Davis, Tony De Lap, Piero Dorazio, Paul Feeley, Robert Irwin, Ellsworth Kelly, Julio Le Parc, Richard Lippold, Morris Louis, Heinz Mack, Francois Morellet, Kenneth Noland, Larry Poons, Frank Stella, Guenther Uecker, Victor de Vasarely, others. An attractive copy of this vintage MoMA catalogue.
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