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Description:Fair. Heavy wear. Light interior markings. Good reading copy....Fair. Heavy wear. Light interior markings. Good reading copy. All items shipped to US include delivery confirmation. Thanks for looking!
Description:Fair to Good. Softcover Wraps are rubbed, faded, tanned and torn...Fair to Good. Softcover Wraps are rubbed, faded, tanned and torn all down the spine. Notation inside of front wrap. Interior is lightly tanned with notations, underlining, and soiling especially near the spine. Pages are loose.
Description:Very Good. NICE CONDITION SLENDER SOFTCOVER BOOK. NO WRITING OR...Very Good. NICE CONDITION SLENDER SOFTCOVER BOOK. NO WRITING OR MARKINGS IN TEXT. LIGHT WEAR TO COVER. A CLEAN AND SOLID BOOK.
Description:Very Good. Collectible. 8vo-over 7¾"-9¾" tall. 51 pp., illus. ...Very Good. Collectible. 8vo-over 7¾"-9¾" tall. 51 pp., illus. (part col. ); 24 cm. Near fine. Firm binding, clean inside copy. Age toning. This was the most important exhibition heralding "Optical" or "Op Art, " with the vibrating, undulating design by Bridget Riley on the front cover. Color-field painting goes psychedelic. Includes: Agam, Josef Albers, Richard Anuskiewicz, Edward Avedisian, Walter Darby Bannard, Larry Bell, Max Bill, Gene Davis, Tony De Lap, Piero Dorazio, Paul Feeley, Robert Irwin, Ellsworth Kelly, Julio Le Parc, Richard Lippold, Morris Louis, Heinz Mack, Francois Morellet, Kenneth Noland, Larry Poons, Frank Stella, Guenther Uecker, Victor de Vasarely, others. An attractive copy of this vintage MoMA catalogue.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.
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