A marvelous portrait of "The New Yorker" during the tenure of legendary editor-in-chief William Shawn by one of its most distinguished contributors.A marvelous portrait of "The New Yorker" during the tenure of legendary editor-in-chief William Shawn by one of its most distinguished contributors.Read Less
Acceptable. 1999-Paperback-Used-Acceptable--Shows substantial shelf-wear which may include some chips and tears on dust jacket (if present) and some yellowing of the pages. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
It is so clear that Mehta learned his craft from Shawn, and that he was a wonderful student with a wonderful mentor. The stories are so rich in detail and love and admiration that sometimes they verge on adoration, but Mehta has the skill and the insight to steer a clear path. There is much to be learned for both readers and writers from this tribute to Mr. Shawn.
Publishers Weekly, 1998-04-06 A poignant tribute from a flawed but well-placed Boswell, Mehta's book revisits (through memories, letters and interviews) the career of William Shawn, who edited the New Yorker from 1951 to 1987. During his self-effacing stewardship, Shawn shifted the emphasis of the magazine from the satire and whimsy of his predecessor, Harold Ross, to serious in-depth reportage, all the while maintaining the elegance and integrity for which the magazine was famousæqualities generally thought to have faded from its pages since his departure. As the eighth volume in the memoir series Continents of Exile, Mehta's account suffers from a dual focus. Like the real Boswell, Mehta (who joined the New Yorker's staff in 1959 and was "terminated" by Tina Brown in 1994) tends to get in the way of his more interesting mentor, dropping names, telling tales and settling scores with tiresome self-importance; at times his adulation of Shawn seems to call less for a memoir than for a few hours on the analyst's couch. But, even a decade after publishing tycoon S.I. Newhouse asserted his new control of the magazine by firing Shawn and replacing him with Robert Gottlieb, Mehta's nostalgia for the "old," independent New Yorker is still contagious. Indeed, once he jogs our memory, it comes almost as a shock that something as eccentric and rigorously uncommercial as Shawn's New Yorker could have existed so recently, or vanished so completely from the literary scene. In his chronicles, Mehta builds a powerful, very moving case for the punctilious, "invisible art" of his former boss. (May) (c) Copyright PWxyz, LLC. All rights reserved
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.