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Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. 32 p. Full Colour. Intended for a juvenile audience.
Very Good: a copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Most items will be dispatched the same or the next working day.
Tan, Shaun. Good in very good dust jacket. there is 1 ex library stamp and 1 sticker on the title page of book, the very nice dust jacket is in new mylar protective jacket, very little wear at all looks very nice, pages are crisp and clean. Sewn binding. Paper over boards. Picture book. With dust jacket. 32 p. Contains: Illustrations. Audience: Children/juvenile.
Publishers Weekly, 2004-01-05 In this sobering allegory of colonization, Napoleonic white rabbits subjugate a population of gentle brown marsupials. The lemur-like narrators live humbly in an arid region ("At first we didn't know what to think. They looked a bit like us"). They describe how the Rabbits, who wear military garb and have perfect straight-backed posture, arrive by sea in a metallic golden ship that bristles with sails and steaming iron pipes. The Rabbits carry black muskets and calibrated measuring devices. As the unclothed, rust-brown animals look on impotently, the red-eyed Rabbits brutally alter the landscape. Monstrous sheep graze on artificially green paddocks, and hills are cut away to accommodate highways. By the time the indigenous creatures rebel, in sepia battle scenes, "there were too many rabbits. We lost the fights." In the bleak conclusion, the speakers lament what has been lost: "Where is the rich dark earth brown and moist?... Where are the lakes, alive with long-legged birds?" YA writer Marsden (Tomorrow When the War Began) and illustrator Tan (The Red Tree), who live in Australia, describe a situation that readers on many continents can recognize (though, with the natives' pronouncement, "They stole our children," they make specific reference to their own continent's history). Marsden's concentrated prose leaves much of the storytelling to Tan's intricate, imaginative paintings, which recall the work of Peter S!s in their complexity and moral compass. In the end, tempered by a nostalgic endpaper image of wading birds on a lake, readers are presented with the irrational violence and profound waste of imperial conquest. Ages 7-up. (Dec.) Copyright 2003 Reed Business Information.
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