Pseudo-Autobiography in the Fourteenth Century: Juan Ruiz, Guillaume de Machaut, Jean Froissart, and Geoffrey Chaucer
"A frequently brilliant study of pseudo- autobiographical writing in the fourteenth century". -- Rupert T. Pickens, University of Kentucky "New and ... Show synopsis "A frequently brilliant study of pseudo- autobiographical writing in the fourteenth century". -- Rupert T. Pickens, University of Kentucky "New and challenging readings of texts that are central to the understanding of the fourteenth-century literature of Spain, France, and England.... (de Looze's) wide acquaintance with the Western literary tradition from Homer and Virgil to Dickens and Joyce is apparent on every page. His analyses of four medieval authors... will become essential reading for all but the most dyed-in-the-wool, dry-as-dust medievalists and will do much to counteract the insularity of many modem theorists". -- Ross G. Arthur, York University In Pseudo-Autobiography in the Fourteenth Century, Laurence de Looze examines representative "books of the self" by four prominent medieval authors in order to discover how such texts have been read both as works of autobiographical "truth" and as works of pure literary artifice. In formulating an answer, he considers whether there is anything that inheres in a text that makes it necessarily autobiographical, and how the term autobiography may describe, in these instances, a way of reading more than a way of writing. In the course of his study, de Looze develops a method of analyzing "pseudoautobiography" that transcends national boundaries and scholarly subdisciplines, and he applies the methods and concerns of modem literary theory to the interpretation of medieval texts. At the same time, he grounds his study thoroughly in the medieval context of these works, discussing the tradition and its pertinent texts -- from Augustine and Boethius through Jean de Meun and beyond -- thus providing a substantial chronological andlinguistic range for his discussion. Because it offers insights into the works of four prominent medieval writers and proposes a new, reader-oriented typology of autobiographical writing, de Looze's study will be of wide interest among medievalists and will also appeal to anyone interested in the kinds of misreading we all engage in when we try to interpret literary texts.