It is 1950 and the Liverpool reporatory theatre company is rehearsing its Christmas production of Peter Pan, a story of childhood innocence and loss. Stella has been taken on as assistant stage manager and quickly becomes obsessed with Meredith, the dissolute director. But it is only when the celebrated O'Hara arrives to take the lead, that a ...Read MoreIt is 1950 and the Liverpool reporatory theatre company is rehearsing its Christmas production of Peter Pan, a story of childhood innocence and loss. Stella has been taken on as assistant stage manager and quickly becomes obsessed with Meredith, the dissolute director. But it is only when the celebrated O'Hara arrives to take the lead, that a different drama unfolds. In it, he and Stella are bound together in a past that neither dares to interpret.Read Less
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New in New jacket. 8vo-over 7¾"-9¾" tall. New York, NY, HarperCollins, 1991. First American edition. 8vo. Plum colored quart cloth over sea green boards with gilt lettering embossed on spine, rough cut pages, 205 pp. Fifteen year old Stella is hired to be an assistant to the stage manager in the local theater company's Christmas production of Peter Pan in 1950's Liverpool. Innocent Stella, full of youthful insecurity, proceeds to revive an entirely different drama and unlike Peter Pan, grows up all too quickly. Two pages have slight creases, but this is a new, unread book. Bindings are tight and clean. New in a new dust jacket, protected by a mylar cover.
New. New DJ. Harpercollins 1991 1st US Edition Editorial Reviews From A Booker Prize nominee, Bainbridge's latest novel is a compelling read, again demonstrating her acuity of observation and darkly comic view of life. In Stella Bradshaw, a teenage aspiring actress from the slums of Liverpool, Bainbridge limns a tough but beguiling character. She also deftly conveys the atmosphere of 1950s England, still grimly bomb-cratered, coping with food rationing and the visible casualties of maimed veterans. Her portrait of a seedy repertory troupe, whose members histrionically indulge in love affairs and unrequited passions, is classic. Into this company, directed by elegant Meredith Potter, comes Stella, inveigled into their midst by her uncle/guardian, who feels that the stage is Stella's only alternative to working in Woolworth's. Added to her knowledge of her illigitimacy and lower-class origins (the Bradshaws bathe once a fortnight, and share "the family towel"), Stella has the normal self-consciousness and naivete of adolescence overlaid by a strong will, guilelessness and lack of tact. Her innocent but dangerous impulses and her crush on Meredith, whose homosexuality eludes her, makes Stella a sort of Typhoid Mary of psychological injury; one after another, members of the troupe suffer from her impetuous behavior. Bainbridge's prose brims with pithy insights tinged with sardonic humor, and her plot moves swiftly to a chilling conclusion. 1991 Review*'Vintage bittersweet Bainbridge' MAIL ON SUNDAY *'Imagine Priestley's THE GOOD COMPANIONS as written by Gogol and you will have some idea of the mixture of waggish humour and sordid pathos in Bainbridge's novel' SUNDAY TIMES *'A subtle schizophrenic insight into adult relation. Bainbridge's understated prose and obsessive eye for the smallest and most telling of details have never been better employed' TIME OUT.
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