The PowerBook is twenty-first century fiction that uses past, present and future as shifting dimensions of a multiple reality. The story is simple. An e-writer called Ali or Alix will write to order anything you like, provided that you are prepared to enter the story as yourself and take the risk of leaving it as someone else. You can be the hero ...
The PowerBook is twenty-first century fiction that uses past, present and future as shifting dimensions of a multiple reality. The story is simple. An e-writer called Ali or Alix will write to order anything you like, provided that you are prepared to enter the story as yourself and take the risk of leaving it as someone else. You can be the hero of your own life. You can have freedom just for one night. But there is a price to pay.
Very good. Appearance of only slight previous use. Cover and binding show a little wear. All pages are undamaged with potentially only a few, small markings. Help save a tree. Buy all your used books from Thriftbooks. Read. Recycle and Reuse.
Good. 2001-Paperback-Used-Good--Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
Publishers Weekly, 2000-10-30 Composed in tight, spare prose echoing Web communications, Winterson's seventh novel takes its cues from the Internet, where reality is implied but never inherent. Like the protagonist of her previous novel, Written on the Body, narrator Ali is not defined by sex. An Internet writer, she/he creates stories for people, offering "Freedom, just for one night," allowing her e-mail clients to be whoever they want to be. In return, they are required to understand that, like customers at Verde, the famous old costume shop in London where Ali lives, they may enter as themselves and leave as someone else. Such is the transformation Ali undergoes after a brief liaison in Paris with a married woman. Falling desperately in love, Ali follows the unnamed woman to Capri and attempts to convince her to leave her husband. Entwining this love story with accounts of Turkish tulip bulbs disguised as testicles, and tales of Lancelot and Guinevere, Winterson treads a slippery slope between linear storytelling and multidimensional cyberfiction. Most conventional, but also most egregious, is a digression recounting Ali's childhood as the adopted daughter of scrap-yard owners who are terrified of straying out into the Wilderness (the real world), but still hope that one day their daughter will find the Promised Land that exists in the heart. Winterson's dashing, sensually stylish writing is marred by heavy-handed symbolism, but the concept of transformation is adeptly juggled throughout. The brightly colored jacket, featuring two suggestively limp tulips, plays directly to the sensibility of Winterson's many fans. (Nov. 3) (c) Copyright PWxyz, LLC. All rights reserved
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