This is story of Loyal Blood, a man who spends a lifetime on the run from a crime so terrible that it renders him forever incapable of touching a woman. The odyssey begins on a freezing Vermont hillside in 1944 and propels Blood across the American West for forty years. Denied love and unable to settle, he lives a hundred different lives: mining ...
This is story of Loyal Blood, a man who spends a lifetime on the run from a crime so terrible that it renders him forever incapable of touching a woman. The odyssey begins on a freezing Vermont hillside in 1944 and propels Blood across the American West for forty years. Denied love and unable to settle, he lives a hundred different lives: mining gold, growing beans, hunting fossils, trapping, prospecting for uranium and ranching. His only contact with his past is through a series of postcards he sends home - not realising that in his absence disaster has befallen his family, and their deep-rooted connection with the land has been severed with devastating consequences...'Postcards' was Annie Proulx's first novel, which received huge acclaim and marked the launch of an outstanding literary career. Her works include short story collections 'Bad Dirt', 'Close Range' (featuring 'Brokeback Mountain') and novels such as 'The Shipping News' and 'Accordion Crimes'.
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Publishers Weekly, 1991-11-01 In this poignant first novel by Proulx ( Heart Songs and Other Stories ), artfully misspelled postcards form the tenuous links between ill-fated young trapper Loyal Blood and his family--Mink and Jewelle, Dub and Mernelle--who eke a meager existence from their ancestral Vermont farm. When Loyal accidentally kills his saucy redheaded sweetheart Billy while making love in the fields, he hides her body in a stone-covered fox den. Abruptly he tells his family that he and Billy are heading west to ``make a new start.'' In a vengeful rage his father Mink shoots Loyal's cows. Loyal endures harsh years of self-imposed exile as, from 1944 to the '80s, he roves from job to job--mining, fossil picking, trapping--each authoritatively detailed. Racked with gagging seizures whenever he tries to touch another woman, sick in his lungs, Loyal doggedly accepts his lot without complaint. Back home the violent, feckless Bloods fall into ruin, attempting arson, serving jail terms and losing the farm, which is sold for trailer parks. Flurries of postcards fly, both personal and commercial: brother Dub answers one for an artificial limb, desperate sister Mernelle responds to a lonely lumberman's ad for a wife. Proulx writes a rich, sensuous prose; she captures the earthy, hard-bitten voices of men and women resigned to travail and documents the passing of an epoch. If there is a fault, it is the overabundance of minor characters randomly introduced into the narrative. (Jan.)
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