Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cdrom or access codes. Customer service is our top priority!
New. 100% Money Back Guarantee. Brand New, Perfect Condition. We offer expedited shipping to all US locations. Over 3, 000, 000 happy customers. Sewn binding. Cloth over boards. With dust jacket. 525 p.
Fine. 100% Money Back Guarantee. Brand New, Perfect Condition. We offer expedited shipping to all US locations. Over 3, 000, 000 happy customers. Sewn binding. Cloth over boards. With dust jacket. 525 p.
Publishers Weekly, 1991-09-06 Two contemporary scholars, each studying one of two Victorian poets, reconstruct their subjects' secret extramarital affair through poems, journal entries, letters and modern scholarly analysis of the period. PW called this Booker Prize winner ``an ambitious and wholly satisfying work, a nearly perfect novel.'' (Oct.)
Publishers Weekly, 1990-08-24 The English author of Still Life fuses an ambitious and wholly satisfying work, a nearly perfect novel. Two contemporary scholars, each immersed in the study of one of two Victorian poets, discover evidence of a previously unimagined relationship between their subjects: R. H. Ash and Christabel LaMotte had secretly conducted an extramarital romance. The scholars, ``possessed'' by their dramatic finds, cannot bring themselves to share their materials with the academic community; instead, they covertly explore clues in the poets' writings in order to reconstruct the affair and its enigmatic aftermath. Byatt persuasively interpolates the lovers' correspondence and ``their'' poems; the journal entries and letters of other interested parties; and modern-day scholarly analysis of the period. One of the poets is posthumously dubbed ``the great ventriloquist''; because of Byatt's success in projecting diverse and distinct voices, it is tempting to apply the label to her as well. Merely to do so, however, would ignore even greater skills: her superb and perpetually surprising plotting; her fluid transposition of literary motifs to an infinite number of keys; her amusing and mercifully indirect criticism of current literary theories; and her subtle questioning of the ways readers and writers shape, and are shaped by, literature. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.