In a digital laboratory on the shores of Puget Sound, virtual reality researchers race to complete the Cavern, a bland white room that can become a jungle, a painting, or a vast Byzantine cathedral. In a war-torn city on the eastern shores of the Mediterranean, an American is held hostage, chained to a radiator in an empty white room...Adie ...Read MoreIn a digital laboratory on the shores of Puget Sound, virtual reality researchers race to complete the Cavern, a bland white room that can become a jungle, a painting, or a vast Byzantine cathedral. In a war-torn city on the eastern shores of the Mediterranean, an American is held hostage, chained to a radiator in an empty white room...Adie Klarpol, a disillusioned artist, is invigorated by the thrill of working with the Cavern's cutting-edge technology. As Cold War empires collapse and the Berlin Wall falls, she retreats into the cyber-realities she has been hired to create. In Beirut, English teacher Taimur Martin is held in solitary confinement by Islamic fundamentalists, where he must keep his mind whole by the force of his memory alone. What can possibly join two such remote places? Only the shared imagination, a room that these two people unwittingly build in common, where the strands of this wildly inventive novel coalesce into one.Read Less
Very good. Book has appearance of light use with no easily noticeable wear. Millions of satisfied customers and climbing. Green Earth Books is the name you can trust, guaranteed. Spend Less. Read More.
There is ample reason that Richard Powers is so highly respected as a contemporary writer of fiction. This book is carefully crafted around two seemingly disparate story lines that together open up the nature of imagination and reality, human interaction, and what we can (and cannot) control in our lives. The book shows us the technological side of virtual reality and how humans relate to it. And it takes deep into the desperate world of the solitary political hostage -- at once deeply disturbing and exhilarating. I could not put this book down after the first few pages.
Publishers Weekly, 2000-04-17 A groundbreaking literary novelist and MacArthur "genius" grant winner, Powers (Galatea 2.2; Gain; The Gold Bug Variations) takes on virtual reality, global migration, prolonged heartbreak, the end of the Cold War and the nature and purpose of art in his ambitious and dazzling seventh book. Like most of Powers's previous works, this novel weaves together two sets of characters. One comprises artists and programmers at the Cavern, a pioneering virtual-reality project sponsored by a Microsoftesque company. As college students in the early 1970s, painter Adie Klarpol, writer Steve Spiegel and composer Ted Zimmerman shared a house, an art scene, a complex erotic entanglement and a sense of limitless potential. When the novel opens, it's the mid-'80s, and Steve is a programmer: he convinces Adie to flee New York City and commercial art for Washington State and the Cavern. We follow Adie as she learns about new media and about her new, multiethnic colleagues, each with his or her own emotional problems. As Adie and Steve rediscover high art and each other, both must return to the charismatic Ted and his painful fate. Powers's other plot concerns Taimur Martin, an American teacher taken hostage in Beirut. Taimur spends most of the novel in captivity, thrown back on memory and imagination: his harrowing second-person narration transforms outward monotony into inward drama, building up to some of Powers's best writing to date. Powers's fans love his gorgeous, allusive (if sometimes florid) prose, and his digressions into the sciences; both features, largely missing from Gain, re-emerge here to spectacular effect. Taimur's life and Adie's link up only thematically--they never meet; instead, Powers's dramatic prose and his intellectual reach makes their symbolic connection more than enough to propel the novel toward its moving close. (June) (c) Copyright PWxyz, LLC. All rights reserved
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.