In 1961, the Metropolitan Museum in New York paid $2,3000,000 for the painting "Aristotle contemplating the bust of Homer" by Rembrandt. It was the highest price ever paid for a painting. Rembrandt received 500 guilders for the same picture and fought off debtors all his life. Heller examines the painting out of its frame as a representation of ...
In 1961, the Metropolitan Museum in New York paid $2,3000,000 for the painting "Aristotle contemplating the bust of Homer" by Rembrandt. It was the highest price ever paid for a painting. Rembrandt received 500 guilders for the same picture and fought off debtors all his life. Heller examines the painting out of its frame as a representation of history, travelling through Greece, Holland, England and America encompassing life from 500 BC to the present day. The author also wrote "Catch 22", "Something Happened", "Good as Gold" and "God Knows".
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New in very good dust jacket. Tight binding with clean text. New. D/j has wear along edges. Corner of fep has been clipped to remove previous owner's name. Sewn binding. Cloth over boards. With dust jacket. 352 p. Audience: General/trade. -Picture this: Rembrandt is creating his famous painting of Aristotle contemplating the bust of Homer. As soon as he paints an ear on Aristotle, Aristotle can hear. When he paints an eye, Aristotle can see. And what Aristotle sees and hears and remembers from the ancient past to this very moment provides the foundation for this lighthearted, freewheeling jaunt through 2, 500 years of Western Civilization. "Picture This" is an incisive fantasy that digs deeply into our illusions and customs. Nobody but Heller could have conceived of such a novel.
Publishers Weekly, 1988-07-01 In a radical departure, Heller has concocted a clever, strange piece of experimental historical fiction. As the novel begins, slovenly, debt-ridden Rembrandt van Rijn is painting his now-famous Aristotle Contemplating the Bust of Homer. Suddenly, we are whisked from 17th century Holland to ancient Greece, where an exiled, weary Aristotle clairvoyantly watches Rembrandt doing his portrait. Not much has changed, the philosopher concludes as he gazes down the centuries at our dawning modern era of greed, wars and capitalism run amok. Written in a flat, reportorial style, omniscient in viewpoint, the narrative confusingly and annoyingly jumpcuts in time and spacebetween and within epochs. The chapters on Athens, where Plato pontificates while Socrates berates the belligerent youth Alcibiades, are occasionally wickedly funny. Best read in short takes, this startling parable about the degeneration of art into commodity and the survival of human values in a materialistic world demands total suspension of disbelief. For willing readers, it casts an undeniable spell. First serial to Playboy; BOMC featured alternate. (September)
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