Introducing young Brother Athelstan, a dedicated Dominican monk with two callings. In one of medieval London's poorest parishes, he ministers to prostitutes, thieves, and other castoffs. But it's as clerk to Falstaffian London coroner Sir John Cranston, examining the bodies of the freshly murdered, that he has come to understand how dark and ...
Introducing young Brother Athelstan, a dedicated Dominican monk with two callings. In one of medieval London's poorest parishes, he ministers to prostitutes, thieves, and other castoffs. But it's as clerk to Falstaffian London coroner Sir John Cranston, examining the bodies of the freshly murdered, that he has come to understand how dark and villainous the human heart can be.
Good. Ex-Library Book-will contain Library Markings. Dust Cover Missing. Only lightly used. Book has minimal wear to cover and binding. A few pages may have small creases and minimal underlining. Book selection as BIG as Texas.
Good in good dust jacket. Hardcover in mylar-covered dust jacket. Dust jacket wear. Binding could be tighter. A slightly cocked spine. X-Library Book with usual markings/attachments. Normal shelf and display wear. First Edition, First Printing. There are no marks on the pages...
Publishers Weekly, 1993-03-29 Fourteenth-century London provides the setting for Harding's evocative, scrupulously researched period mystery. (May) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 1992-04-27 The stage of this atmosphere-drenched series opener is dominated by the city of London: a fetid, 14th-century melting pot brimming with all manner of life, high and low. Throughout Harding's supremely evocative, scrupulously researched portrait, the stench of the huddled masses is practically palpable. But there's more foul here than the city's streets: Sir Thomas Springall, a nobleman of the court, has been poisoned, and the servant who bore the fatal cup has apparently committed suicide. Enter Sir John Cranston, the London coroner who makes Jack Falstaff look like Rebecca of Sunnybrook Farm, and whose appetite for drink is reflected in his ample girth. Together with his clerk, Brother Athelstan, a canny priest with a ``nose for mischief,'' Cranston ferrets out a fiendish plot that reverberates with intrigue in high places. Minor flaws--the titular architectural feature has scant significance, and Athelstan's character lacks focus--barely detract from this vivid, intricately crafted whodunit. And the book is full of colorful characters such as Watkin the dung collector, Ranulf the ratcatcher and a constable at Tower Bridge who lovingly combs the hair of executed traitors and sings them lullabies. (May) (c) Copyright PWxyz, LLC. All rights reserved
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