A clear, intelligently-written guide to a crucial period of Spanish history Written in the same tradition as John Julius Norwich's engrossing accounts of Venice and Byzantium, Richard Fletcher's Moorish Spain entertains even as it enlightens. He tells the story of a vital period in Spanish history which transformed the culture and society, not ...
A clear, intelligently-written guide to a crucial period of Spanish history Written in the same tradition as John Julius Norwich's engrossing accounts of Venice and Byzantium, Richard Fletcher's Moorish Spain entertains even as it enlightens. He tells the story of a vital period in Spanish history which transformed the culture and society, not only of Spain, but of the rest of Europe as well. Moorish influence transformed the architecture, art, literature and learning and Fletcher combines this analysis with a crisp account of the wars, politics and sociological changes of the time.
Berkeley. 2006. University of California Press. 2nd paperback Printing. Very Good In Wrappers. 189 pages. paperback. 0520248406. keywords: History Spain Moors. inventory # 36544. FROM THE PUBLISHER-Beginning in the year 711 and continuing for nearly a thousand years, the Islamic presence survived in Spain, at times flourishing, and at other times dwindling into warring fiefdoms. But the culture and science thereby brought to Spain, including long-buried knowledge from Greece, largely forgotten during Europe's Dark Ages, was to have an enduring impact on the country as it emerged into the modern era. In this gracefully written history, Richard Fletcher reveals the Moorish culture in all its fascinating disparity and gives us history at its best: here is vivid storytelling by a renowned scholar.
Fletcher aims this brief survey of a seminal period in European history at a broad audience. He manages this beautifully. I particularly valued the fact that the book nonetheless periodically grounds itself by focussing in on a contemporary source. I also liked his approach to theoretical issues which was stimulating without showing any obvious signs of latter-day romanticism.
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