Annie Wilkes is Paul Sheldon's number one fan and loves all his books about Misery Chastain. When she finds Paul injured after a car crash, Annie takes him home to nurse him back to health, but soon learns that Paul plans to kill off Misery, something Annie can't allow him to do. "Penguin Readers" is a series of simplified novels, film ...
Annie Wilkes is Paul Sheldon's number one fan and loves all his books about Misery Chastain. When she finds Paul injured after a car crash, Annie takes him home to nurse him back to health, but soon learns that Paul plans to kill off Misery, something Annie can't allow him to do. "Penguin Readers" is a series of simplified novels, film novelizations and original titles that introduce students at all levels to the pleasures of reading in English. Originally designed for teaching English as a foreign language, the series' combination of high interest level and low reading age makes it suitable for both English-speaking teenagers with limited reading skills and students of English as a second language. Many titles in the series also provide access to the pre-20th century literature strands of the National Curriculum English Orders. "Penguin Readers" are graded at seven levels of difficulty, from "Easystarts" with a 200-word vocabulary, to Level 6 (Advanced) with a 3000-word vocabulary. In addition, titles fall into one of three sub-categories: "Contemporary", "Classics" or "Originals". At the end of each book there is a section of enjoyable exercises focusing on vocabulary building, comprehension, discussion and writing. Some titles in the series are available with an accompanying audio cassette, or in a book and cassette pack. Additionally, selected titles have free accompanying "Penguin Readers Factsheets" which provide stimulating exercise material for students, as well as suggestions for teachers on how to exploit the Readers in class.
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Publishers Weekly, 1987-05-01 King's new novel, about a writer held hostage by his self-proclaimed ``number-one fan,'' is unadulteratedly terrifying. Paul Sheldon, a writer of historical romances, is in a car accident; rescued by nurse Annie Wilkes, he slowly realizes that salvation can be worse than death. Sheldon has killed off Misery Chastain, the popular protagonist of his Misery series and Annie, who has a murderous past, wants her back. Keeping the paralyzed Sheldon prisoner, she forces him to revive the character in a continuation of the series, and she reads each page as it comes out of the typewriter; there is a joyously Dickensian novel within a novel here, and it appears in faded typescript. Studded among the frightening moments are sparkling reflections on the writer and his audience, on the difficulties, joys and responsibilities of being a storyteller, on the nature of the muse, on the differences between ``serious'' and ``popular'' writing. Sheldon is a revealingly autobiographical figure; Annie is not merely a monster but is subtly and often touchingly portrayed, allowing hostage and keeper a believable, if twisted, relationship. The best parts of this novel demand that we take King seriously as a writer with a deeply felt understanding of human psychology. One million first printing; $400,000 ad/promo; BOMC main selection. (June 8) (c) Copyright PWxyz, LLC. All rights reserved
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