Excerpt: ...(1486-1531), because his father was a tailor, was called del Sarto, also, il pittore senza errori, "the faultless painter." 2. Lucrezia: di Baccio del Fede, a cap-maker's widow, says Vasari, who ensnared Andrea "before her husband's death, and who delighted in trapping the hearts of men." 15. Fiesole: a hillside city on the Arno, three ...
Excerpt: ...(1486-1531), because his father was a tailor, was called del Sarto, also, il pittore senza errori, "the faultless painter." 2. Lucrezia: di Baccio del Fede, a cap-maker's widow, says Vasari, who ensnared Andrea "before her husband's death, and who delighted in trapping the hearts of men." 15. Fiesole: a hillside city on the Arno, three miles west of Florence. 93. Morello: the highest of the Apennine mountains north of Florence. 105. The Urbinate: Raphael Santi (1483-1520), so called because born at Urbino. 106. Vasari: painter and writer of the "Lives of the Most Excellent Italian Painters," which supplied Browning with material for this poem and for "Fra Lippo." 130. Agnolo: Michel Agnolo Buonarotti, painter, sculptor, and 1architect (1475-564). 149. Francis: Francis I of France (1494-1547), who invited Andrea to his Court at Fontainebleau, where he was loaded with gifts and honors, until, says Vasari, "came to him certain letters from Florence written to him by his wife . . . with bitter complaints," when, taking "the money which the king confided to him for the purchase of pictures and statues, . . . he set off . . . having sworn on the Gospels to return in a few months. Arrived in Florence, he lived joyously with his wife for some time, making presents to her father and sisters, but doing nothing for his own parents, who died in poverty and misery. When the period specified by the king had come . . . he found himself at the end not only of his own money but . . . of that of the king." 184. Agnolo . . . to Rafael: Angelo's remark is given thus by Bocchi, "Bellezze di Firenze"; "There is a bit of a manikin in Florence who, if he chanced to be employed in great undertakings as you have happened to be, would compel you to look well about you." 210. Cue-owls: the owl's cry gives it its common name in various languages and countries; the peculiarity of its cry as to the predominant sound of oo or ow naming the species. This Italian a ulo is probably...
Good. Good hardcover, no DJ. Covers show light edge wear. Ex-Library (college) with usual markings. Text is clean and unmarked. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!
Fair. No Dustjacket. 1939. 291 pages. No dust jacket. Blue cloth with gilt lettering. Hinge crack at title page with moderate tanning and handling marks over pages. annotations throughout and inscription of previous owners name at title page. Some creasing to pages. Blue trim along page top edges. Moderate rubbing and scuffing to spine ends and to corners with slight bumping to corners. Mild rubbing along edges and over surfaces.
Very Good. 12mo-over 6¾"-7¾" tall. In the classy Dent Temple Classics series, 12mo, 291pp, olive green soft leather lettered and decorated gilt, top edge gilt, decorated title page and frontis; previous owner's name and date to ffep and same owner has marked some titles in the index very lightly; little of the usual rubbing to spine extrems, some mild tanning but by and large a well-preserved example of this notoriously fragile series; VG Copy, no DJ.
Good- No Jacket. 8vo-over 7 3/4"-9 3/4" Tall In period rust colored cloth with gilt titling, 8vo, 351pp. (soiling and wear to extremities, discoloration and spotting to cloth at bottom edges, evidence of dampstain to bottom edge).
Brown boards with gilt ruling top edge front panel with gilt top paper edge and spine lettering; Good cond; pages moderately toned on edges; former owner's name top corner of title page; front hinge starting.
Very Good. Original brown cloth binding has loss of cloth at the spine ends, small loss of cloth along spine edge. Binding tight. Occasional spot to text. 351 pages + 24 pages of publisher's ads and lists.
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