A boy scavenges the beach for his bottle top collection when he discovers a lost "thing"; a large, freakish creature that looks like a cross between a crab and a pot-bellied stove. Thus begins a witty and strange narrative set in a creepy, futuristic environment. Shaun Tan's artwork, collages comprised of such unusual elements as old textbook ...
A boy scavenges the beach for his bottle top collection when he discovers a lost "thing"; a large, freakish creature that looks like a cross between a crab and a pot-bellied stove. Thus begins a witty and strange narrative set in a creepy, futuristic environment. Shaun Tan's artwork, collages comprised of such unusual elements as old textbook pages, oil paint, gears, and tubes, inspires young readers to figure out what goes where, and why, in this challenging mix of science fiction and puzzle book.
Very Good: a copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Most items will be dispatched the same or the next working day.
***SIMPLY BRIT*** We have dispatched from our UK warehouse books of good condition to over 1 million satisfied customers worldwide. We are committed to providing you with a reliable and efficient service at all times.
Publishers Weekly, 2005-01-31 Tan's affecting and sophisticated picture books, including The Red Tree, pack an emotional and visual wallop, but saturate readers with ennui. This melancholy story, despite pale whimsy, cannot muster much hope for those "lost things" with uncertain raisons d'?tre. The narrator is a stoop-shouldered, Dilbert-like nerd who finds the Lost Thing while collecting those quintessential cast-offs-bottle caps-on an industrial beach. Tan pictures the Lost Thing as a garbage-truck-size red vessel with crablike gray claws and tentacles, equal parts organism, machine and teakettle. Surely it is too weird to pass unnoticed, yet everyone ignores it. The storyteller and thing interact like a boy and dog, playing fetch, making a sandcastle (or sand-factory, really). After feeding the thing in his gloomy backyard shed, the hero tries to deliver it to the windowless Federal Department of Odds & Ends. Yet he cannot bear to leave it there: "This is a place for forgetting," a machine/man hybrid janitor portends. Only through effort does he find an alternative suggested by the janitor, "a dark little gap off some anonymous little street," which opens into a Dal!-esque habitation of other frolicking, forgotten things. Tan's intricate multimedia paintings reference Hopper's empty windows and the alienated cityscapes of Lang's Metropolis. This weighty book is best suited to mature children or older comics/science-fiction readers, who will goggle at the marvelous illustrations. Ages 7-up. (Feb.) Copyright 2005 Reed Business Information.
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.