Life of a Poet is devoted to the careful reenactment of the difficult relationship between Rilke's life and his art. In this outstanding biography, Ralph Freedman traces Rilke's extraordinary career by combining detailed accounts of salient episodes from the poet's restless life with an intimate reading of the verse and prose that refract them. A ...
Life of a Poet is devoted to the careful reenactment of the difficult relationship between Rilke's life and his art. In this outstanding biography, Ralph Freedman traces Rilke's extraordinary career by combining detailed accounts of salient episodes from the poet's restless life with an intimate reading of the verse and prose that refract them. A master of the word, Rilke sought to capture and emulate the colors and forms of painters like Cezanne and sculptors like Rodin. A brilliant poet in German, he also wrote in Russian and Italian, and late in life even sought recognition as a poet in French. These contrary impulses left their mark on Rilke's verse and lent it a unique resonance, which Life of a Poet conveys as a biography and as a work of criticism. In this portrait of the artist par excellence, Freedman reveals how Rilke lived out the very process of the poetic imagination by transforming the self that he did so much to project. His poetry transformed his intimate self, not only in self-reflection but also in his relations with others: with lovers and friends like Lou Andreas-Salome and Paula Modersohn-Becker, with maternal patronesses from the highest society like the Princess von Thurn und Taxis, and with prominent intellectuals like Paul Valery, Andre Gide, Hugo von Hofmannsthal, and Stefan Zweig during the decades that saw the profound change in society and culture from la belle epoque to the Weimar Republic. Rilke absorbed and reshaped the tensions around him in his evolving work. Life of a Poet shows how this multifaceted, multilingual artist developed from a versifier consumed by ambition to become one of this century's greatest poets - Europe's and the West's"representative man."
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Publishers Weekly, 1996-01-08 Freedman, emeritus professor of comparative literature at Princeton and author of a biography of Hermann Hesse, notes in this thorough and thoughtful study of Rilke that he will follow ``this tortured man'' as he evolves from ``a versifier consumed by ambition to one of the great poets of our time.'' He delivers on half that promise, by bringing to life the ambitious versifier far more successfully than he does the great poet. Rilke was born into a German-speaking family in Prague in 1875 and soon developed a pattern of illness-real and imagined-that persisted for the rest of his life. Other defining traits include a fawning pursuit of aristocrats (usually female), infatuations with Russia and Italy, intense love affairs (usually preceded by letter-writing campaigns) that ended in six months and a fondness for the company of artists rather than writers. He was, briefly, Rodin's secretary in Paris, and his wife-whom he soon abandoned, along with their daughter-was also a sculptor. Other familiar figures who appear are Andr? Gide, Eleanora Duse and Franz Werfel. Readers will probably find Rilke unappealing, but Freedman skillfully reveals the various myths and personas the poet created about himself and perhaps even believed, and shows how in his masterpiece, The Duino Elegies, he shaped them into a new aesthetic ``vision.'' Photos not seen by PW. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
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