Written by the author of "One Way or Another" and an O. Henry Award winner, this first novel depicts life in Manhattan at the end of the 1980s - a life filled with couplings gone awry, sperm-banks and custody battles, day-care centres run by voodoo priestesses and a murder in an art gallery.Written by the author of "One Way or Another" and an O. Henry Award winner, this first novel depicts life in Manhattan at the end of the 1980s - a life filled with couplings gone awry, sperm-banks and custody battles, day-care centres run by voodoo priestesses and a murder in an art gallery.Read Less
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Acceptable. 1998-Paperback-Used-Acceptable--Shows substantial shelf-wear which may include some chips and tears on dust jacket (if present) and some yellowing of the pages. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
Publishers Weekly, 1989-12-28 A funny, fast-paced and ambitious first novel by a New Yorker writer whose stories were previously collected in One Way or Another , this romantic comedy (previously published in weekly installments in 7 Days ) chronicles a year in the life of New Yorkers lost in the twilight of the '80s. Loren and David have been separated for several months; David is torn between love for his family (they have a daughter, Kate) and passion for his male temp, Heath; Loren, now seeing Gregory, can't seem to stop loving David. While Heath struggles with the discomfort he feels at loving an older, shorter, bisexual man, Lillian, Loren and David's lonely mutual friend, consults a sperm bank; and Judith, Loren's mother (taking a sabbatical from her marriage at her husband's request) begins an affair with an Asian named Fang. Villains include scheming Amanda Paine, director of an art gallery, and Solange and Anton Shawangunk, its jaded, perverse and ultra-rich co-owners. What happens to Solange at the opening of the show Amanda gives Heath (who is an artist as well as a temp) is among the events raised above simple comedy or melodrama by Cameron's focus on issues of sexual responsibility and his resonant, jewel-like prose. (Feb.)
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