Robert Evans' The Kid Stays in the Picture is universally recognized as the greatest, most outrageous, and most unforgettable show business memoir ever written. The basis of an award-winning documentary film, it remains the gold standard of Hollywood storytelling. With black-and-white photographs from the author's archive and a new introduction by ...
Robert Evans' The Kid Stays in the Picture is universally recognized as the greatest, most outrageous, and most unforgettable show business memoir ever written. The basis of an award-winning documentary film, it remains the gold standard of Hollywood storytelling. With black-and-white photographs from the author's archive and a new introduction by the legendary actor, producer, and Hollywood studio chief Robert Evans, The Kid Stays in the Picture is driven by a voice as charming and irresistible as any great novel. An extraordinary raconteur, Evans spares no one, least of all himself. Filled with starring roles for everyone from Ava Gardner to Marlon Brando to Sharon Stone, The Kid Stays in the Picture: A Notorious Life is sharp, witty, and self-aggrandizing, and self-lacerating in equal measure.This is a must-read for fans of American cinema and classics of the canon, including The Odd Couple, Rosemary's Baby, Love Story, The Godfather, and Chinatown.
Good. Ex-Library Book-will contain Library Markings. Light shelving wear with minimal damage to cover and bindings. Pages show minor use. Help save a tree. Buy all your used books from Thriftbooks. Read. Recycle and Reuse.
Good in good dust jacket. Our goal with every sale is customer satisfaction, so please buy with confidence. Every order is shipped the same day or the next day. This is a used book in good condition and may show some signs of use or wear.
Publishers Weekly, 1994-09-05 Major movie producer Evans, self-described ``bad boy of Hollywood,'' sums up his lifelong personal style succinctly in his memoir's last line: ``Resolve: Fuck 'em, fuck 'em all...'' Chronicling his high-drama life, Evans paints a riveting, self-promoting picture of his 30-year career in the film industry, from his 1956 debut in Man of a Thousand Faces to his lengthy stint, beginning in 1967, as the head of Paramount Pictures, where he oversaw the production of such cinematic hits as Barefoot in the Park; The Odd Couple; Goodbye, Columbus; Harold and Maude; Rosemary's Baby; The Godfather; Love Story; and Chinatown. In a predictably confident, often feisty tone, Evans describes his rise, fall and what he calls his recent return to the upper echelons of Tinseltown power, as he recalls personal encounters with, and memories of, such show-biz brand names as Errol Flynn, James Cagney, Jack Nicolson, Mia Farrow, Mike Todd, Francis Ford Coppola and two of his wives, Ali MacGraw and Phyllis George. Offering a real insider's view of Hollywood, Evans's memoir is easily worth the price of admission. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.