One may as well begin with Helen's letters to her sister. "Howards End, "Tuesday. "Dearest Meg, "It isn't going to be what we expected. It is old and little, and altogether delightful-red brick. We can scarcely pack in as it is, and the dear knows what will happen when Paul (younger son) arrives to-morrow. From hall you go right or left into ...
One may as well begin with Helen's letters to her sister. "Howards End, "Tuesday. "Dearest Meg, "It isn't going to be what we expected. It is old and little, and altogether delightful-red brick. We can scarcely pack in as it is, and the dear knows what will happen when Paul (younger son) arrives to-morrow. From hall you go right or left into dining-room or drawing-room. Hall itself is practically a room. You open another door in it, and there are the stairs going up in a sort of tunnel to the first-floor. Three bed-rooms in a row there, and three attics in a row above. That isn't all the house really, but it's all that one notices-nine windows as you look up from the front garden. "Then there's a very big wych-elm-to the left as you look up-leaning a little over the house, and standing on the boundary between the garden and meadow. I quite love that tree already. Also ordinary elms, oaks-no nastier than ordinary oaks- pear-trees, apple-trees, and a vine. No silver birches, though. However, I must get on to my host and hostess. I only wanted to show that it isn't the least what we expected. Why did we settle that their house would be all gables and wiggles, and their garden all gamboge-coloured paths? I believe simply because we associate them with expensive hotels-Mrs. Wilcox trailing in beautiful dresses down long corridors, Mr. Wilcox bullying porters, etc. We females are that unjust. [...]
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E. M. Forster?s Howard?s End, published in 1910, is named after an estate, the only constant in the book. The estate belongs to the central characters, first to the Wilcox family, then to the Schlegel sisters. The Wilcox family is dominated by Henry, the father, and Charles, one of his sons. Both are new to wealth, profiting from the rubber industry and the business mind. The Schlegel sisters, Meg and Helen, have some wealth, left to them by their deceased parents. They consider profits to be gained from art, music, and literature. The two families are brought together by Mrs. Wilcox before her death. After her death, their connection is solidified in marriage between Henry and Meg.
The marriage is troubled, as we see different philosophies clash. The Schlegels are settled, wanting nothing more than a home at Howard?s End; the Wilcoxes are nomadic, living for short times at one of several houses, constantly moving. The Schlegels are concerned with helping the poor with something like socialism; Henry Wilcox simply states there will always be the wealthy and the poor, then ignores the poor. The Schlegels are rural; the Wilcoxes are urban. The Schlegels have German heritage; the Wilcoxes have English. As the narrator warns, ?England and Germany are bound to fight.?
The clash between the families comes about when a poor young man, Mr. Bast, is introduced. Helen and Meg see him as an adventurer caught in the net of poverty, tied to an unintelligent woman in marriage. The sisters try to help him with advice from Henry Wilcox, telling him to change jobs. The young man does, accepting a lower wage, worsening his financial state. Helen confronts Meg, now Henry?s fiancee, to tell her they are responsible for Mr. Bast?s terrible condition. This confrontation forces some division between the sisters. Meg defends the Wilcoxes, Helen leaves in disgust.
The clash lasts for much of the book, as Meg tries to keep proportion between her two families, and their philosophies. It comes to a climax when Helen returns to Howard?s End after a long absence. She is pregnant with Mr. Bast?s child, unwed, and bound to be shunned by English society. Meg protects her sister from the Wilcoxes, keeping her at Howard?s End. Meanwhile Mr. Bast searches for her so as to confess and receive forgiveness. Instead he finds Charles Wilcox, who fights with him and kills him. Charles is imprisoned. Henry is spent emotionally and physically because of the stress of all that has happened. And Meg is able to settle both Henry and Helen at Howard?s End, where everyone lives happily ever after, since Henry and Charles cannot fight Meg?s management.
The book will interest those concerned with feminism. It depicts the problems for women who are intelligent, soulful, and compassionate, but who are held back by the male-dominated business world, ?national morality? that lacks personal care, and the manners of upper classes that leave much unsaid and undone. If Helen and Meg accept these hindrances, they become ineffective. Meg comes to realize that the endeavors encouraged for her ? music, art, and literature ? are effeminate, inactive, a waste of time. Because Helen and Meg do
not accept the typical place for women of their class they affect the lives of others, for better or worse. The Wilcoxes are forced to consider the new roles of women, or at least these two women, as they are now a part of their family. The book also depicts problems of money and property, especially for women. The whole story starts with Mrs. Wilcox leaving Howard?s End to her friend, Meg Schlegel. The Wilcox family disregards her wish, and keep the estate for themselves. Meg comes to what is rightfully hers only by marriage to Mr. Wilcox.
Overall, Howard?s End is a book about many conflicts. We see the changing of classes and their members. The Wilcoxes are new to the upper or middle class, gaining their wealth by new industries. The Schlegels are landowners, with an established wealth, (though only obtained one generation before the sisters). We see the changing of a rural, agricultural society into an urban, industrial society on the go, made easier by the invention of the auto. The author writes, ?The Earth as an artistic cult has had its day, and the literature of the near future will probably ignore the country and seek inspiration from the town.? The conflict of nationalism is expressed in generalities made about English and Germans, giving some insight into the thinking that leads to World War I, which began only a few years after the story was written. The conflicts are resolved only after both philosophies fail. Henry Wilcox?s bourgeois thinking cannot stand beneath the weight of real suffering. Helen?s impulsive behavior leads to responsibility for a child, consideration of her family, and requires forethought. The resolution is only Meg?s ability to keep proportion between the two families.
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