Stimulating and tumultuous, the court of Henry VIII attracted the finest minds and greatest beauties in Renaissance England. Meticulous in historic detail, narrated with high style and grand drama, Weir brilliantly brings to life the king, the court, and the fascinating men and women who vied for its pleasures and rewards.Stimulating and tumultuous, the court of Henry VIII attracted the finest minds and greatest beauties in Renaissance England. Meticulous in historic detail, narrated with high style and grand drama, Weir brilliantly brings to life the king, the court, and the fascinating men and women who vied for its pleasures and rewards.Read Less
Alison Weir has written and excellent book. full of information . There is so much information that I found my head spinning. Well written and good pictures that give the reader some reference as to what people were like in the fourteenth and fifteenth centuries. The characters do come alive.
Apr 13, 2011
An excellent book. Popularly written but researched in a more than "popular" scholarly fashion with emphasis on primary sources and physical remnants of the era. Readable and full of interesting facts.
My only disappointment: poor quality photography in the chapter dealing with Henry's castles. (He was a very active builder of palaces, some of which were demolished long before the advent of photography, sorry to say.) Very disappointing to those interested in architectural history.
Publishers Weekly, 2001-04-23 In a succession of books on medieval and early modern monarchs, Weir has established her credentials as one of the most evocative of popular historians. In Eleanor of Aquitaine (which will be reissued in paperback to tie in with this publication), she brushed aside a forest of scholarly debate in favor of fully rounded human portraits. She now turns to the colossal figure of Henry VIII, aspiring chivalric hero and accidental spearhead of the Reformation. In the age's luxurious ceremony, Weir is thoroughly in her element. She revels in the Field of Cloth of Gold, an elaborate showpiece where Henry met his French counterpart; in the zesty supporting cast; and even in the less appetizing duties of the Groom of the Stool. Henry's passions were many and charming: his beloved dogs Cut and Ball were evidently so prone to getting lost that he would pay some 225 to their finder. Weir's fondness for her character has its difficulties. While admitting that the king proved to be "an imperious and dangerous autocrat who became mesmerised by his own legend," she too is seduced by the myth. Given to romantic hyperbole, she concludes with the largely unsupported sentiment that Henry "excelled all who ever wore a crown"; chalk up another victory for his propagandists. Other problematic characters, like Thomas More ("calm, kind, witty and wise"), are also let off lightly. Still, Weir's nose for detail, her sharpness of eye and her sympathetic touch make this a feast for the senses. (May 1) Forecast: Weir always gets excellent reviews, and Ballantine says there are 500,000 copies of her books in print, and yet she hasn't broken out big-time. Her choice of subject here may make this the one. It is a dual main selection of BOMC, as well as a selection of the Literary Guild, the History Book Club and QPB. Copyright 2001 Cahners Business Information.
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