Haroun's father is the greatest of all storytellers. His magical stories bring laughter to the sad city of Alifbay. But one day something goes wrong and his father runs out of stories to tell. Haroun is determined to return the storyteller's gift to his father. So he flies off on the back of the Hoopie bird to the Sea of Stories - and a fantastic ...Read MoreHaroun's father is the greatest of all storytellers. His magical stories bring laughter to the sad city of Alifbay. But one day something goes wrong and his father runs out of stories to tell. Haroun is determined to return the storyteller's gift to his father. So he flies off on the back of the Hoopie bird to the Sea of Stories - and a fantastic adventure begins.Read Less
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Haroun and the sea of stories is a wonderful book by Salman Rushdie. Reading this book was like seeing a beautiful sunset - as the colors change, your mind is filled with awe and joy at the most simple and at the same time, the grandest beauty you can see. You see the sunset everyday and each time its magic reaches you and delights you anew. I found the same magic in this book. Rushdie?s use of Hindi in the book for place names and character names and references to real life places and characters in this fantasy book are both perfect. It is a story of magic, heroes, satire, hope, laughs, sad truths all in one and everyone who reads the book is left with something wonderful when they finally (if at all) put it down.
This is one book that should be in both the children?s and adults? sections in libraries and bookstores. I read some sections of it to my 6 year old ? he loved it and now wants to read the whole book.
Publishers Weekly, 1991-10-04 In a contemporary fable filled with riotous verbal pranks, Haroun, who unintentionally stopped time when he froze his father's esteemed storytelling ability, seeks to undo his error on a quest through a magical realm. ``As eloquent a defense of art as any Renaissance treatise . . . saturated with the hyperreal color of such classic fantasies as The Wizard of Oz and Alice in Wonderland ,'' said PW. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 1990-10-12 Following the unprecedented controversy generated by The Satanic Verses , Rushdie offers as eloquent a defense of art as any Renaissance treatise. Supposedly begun as a bedtime story for Rushdie's son, Haroun concerns a supremely talented storyteller named Rashid whose wife is lured away by the same saturnine neighbor who poisons Rashid's son Haroun's thoughts. ``What's the use of stories that aren't even true?'' Haroun demands, parroting the neighbor and thus unintentionally paralyzing Rashid's imagination. The clocks freeze: time literally stops when the ability to narrate its passing is lost. Repentant, Haroun quests through a fantastic realm in order to restore his father's gift for storytelling. Saturated with the hyperreal color of such classic fantasies as the Wizard of Oz and Alice in Wonderland , Rushdie's fabulous landscape operates by P2C2Es (Processes Too Complicated To Explain), features a court where all the attendant Pages are numbered, and unfurls a riotous display of verbal pranks (one defiant character chants ``You can chop suey, but / You can't chop me!''; elsewhere, from another character: `` `Gogogol,' he gurgled. `` `Kafkafka,' he coughed''). But although the pyrotechnics here are entertaining in and of themselves, the irresistible force of the novel rests in Rushdie's wholehearted embrace of the fable--its form as well as its significance. It's almost as if Rushdie has invented a new form, the meta-fable. Rather than retreating under the famous death threats, Rushdie reiterates the importance of literature, stressing not just the good of stories ``that aren't even true'' but persuading us that these stories convey the truth. As Haroun realizes, ``He knew what he knew: that the real world was full of magic, so magical worlds could easily be real.'' (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
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